Quotes About Performance

I played in rhumba bands, mickey mouse bands; all kinds of bands.

I'd be quiet as a mouse if I didn't have the correct feeling about my music. I feel like I'm able to talk about it and say I'm one of the best because I think I got the music to back that up. I got the live show to back that up. That's all that matters.

This will sound funny coming out of my mouth, but I like to play characters that have an intelligence. It doesn't matter if it's a physical intelligence or emotional intelligence.

I love singing with my mouth open. And I'm actually able to sing even better that way.

We need to play between the whistles. That's what tough competitors do. They don't run their mouth.

I don't really plan what comes out of my mouth, and that's what makes most of my lyrics entertaining.

It's still word of mouth that is going to make or break a show, and while critics can't help a show, they can hurt it.

I think most people don't understand: I have nothing to do with that. I just open my mouth, and it comes out that way.

The best part is, I can speak Hindi fluently. Earlier, I would cringe at the idea of delivering even a one-line dialogue in the language, but now, I can mouth a five-page monologue without blinking. My diction has improved, which has enhanced my performance.

I can do a really loud monkey call. I can put both my legs behind my back. And I can stick my fist in my mouth.

Actors are magical people. They can take words you wrote and say them in a way that, although you thought the line was good when you wrote it, it's fantastic when it comes out of their mouth.

Conor McGregor has a big mouth. But I do love the way he fights.

All the talented and smart actors, they get it: as soon as it comes out of their mouth, they know if it's right or wrong. If the writing has a particular voice, they get it, and they can hit it.

I like anything by 50 Cent and Snoop Dog. I love the way they mouth their way around words.

My background is in dance, but as soon as I found acting and realized that I could entertain people, not just with my body but with what comes out of my mouth, I was into that.

I like to put my money where my mouth is and go out there and perform and do what I gotta do.

A lot of boxers try to make it entertaining by fighting with their mouth.

I just hate playing bad. I hate not playing the way I'm comfortable playing at. It just leaves a bad taste in your mouth.

Big mouths can't do anything, you have to prove it in the cage.

I want to move people the way Edith Piaf did.

I'm not someone who complains in any way about how things move forward, unless somebody actually does a really crappy job.

I work for the director, and if audience are happy, I have gotten my award. After that, I have to move on.

A player's mind, body and soul have to be right to get the best out of them, and if a player no longer wants to be at a club then the club should try and get the best deal they can and let the player move on.

If I do a bad dive, that's in the past. Move on. The next dive is a completely separate thing. It's just about being really present in a particular moment.