Quotes About Performance

I only got about four moves.

I've always wanted to be the best at every aspect of the business. Not just someone who does great moves or high flying moves but every aspect and can take control of every match in case something goes wrong.

Jim Carrey is a consummate actor and professional. He comes on set, knows his lines and knows his moves.

When a script moves me, I find that I immediately understand a character. Of course not completely, but I do understand.

Sometimes you get bored of the same moves, but you know that there are those moves that those fans love.

I would rather be on stage playing to 25 people with a band I love and the music I love than learning dance moves I don't want to do for 25,000 people.

It's good to establish moves that fans are always going to recognize and scream for.

Everybody's fast and strong, but to go out there and throw pass-rush moves or be able to do something different on the run to get them off balance. Anybody can run into somebody, but if you can shake them a little bit at the line, that's what's helped me out as a player.

I'm a singer who moves well.

I can go any style - hook up, lock up, take you down - and do all kinds of amateur moves.

People talk about Kobe's 81-point game, the second-highest scoring game in NBA history. I saw the game. I don't care if it was 79, 81 - I just remember the game. I remember the moves. I remember the shots. I remember the beauty of it. The numbers? What he shot from the field? I don't care.

You can teach anybody wrestling moves, hopefully, if they have an athletic bone in their body. However, the ones that are going to make money and be different are the ones with personality.

You acquire all this new talent through the draft, through free agency, always having roster moves. And so being able to bring all of that together through training camp... you keep asking yourself that question of just how well can they join together and play together, and you don't know until you start playing in July and August.

When I was on 'Xena,' I remember the sound guy and the director at some point being like, you have to make sounds when you fight, and I was like, what are you talking about? You're never going to use it. But they hounded me for a good couple of hours, and basically it was, you need to act, you can't just perform the moves.

Things that matter are a great story, entertainment, how the lead part moves the story forward and who the directors are.

Wrestling and sports entertainment is not about the moves, it really isn't. It's about being able to evoke emotion in one facet or another.

We use wrestling moves to tell a story but it boils down to the character and being able to bring either love or hate out of your crowd.

Janowicz is more than just a big server. He moves well, has a fantastic forehand and good hands.

The more I move on stage, the more people are just drawn to the movement. The way that I walk and my gait - it's very eye catching. And the way my hand hooks and moves on its own - it's almost hypnotic.

I really like conducting my music in concerts because I'm convinced it's not just for films; it has its own life. It can live far away from the images of the movie.

Sometimes I'd like to play the bad guy and sometimes I'd like to die in a movie.

I've got to see my movie to see how I'm acting, see what little things I can learn about my craft.

Once you've been really bad in a movie, there's a certain kind of fearlessness you develop.

A lot of times when people are on campaigns, it can be like a movie set.