Quotes About Drama

I went to acting school in New York City for two years. I studied with Stella Adler.

I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.

'Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to.

I actually studied in college, for the three semesters that I stayed in school, I don't recommend that, but I studied theater, and in high school I was involved in the drama department.

I never had any film training. I went to Northwestern. I studied education and theater. So it was all theater training.

I studied theater in college, and I absolutely knew that I loved acting, and I knew that I loved theater.

I studied screenwriting at film school and was constantly learning how to construct three-act dramas.

I studied drama in high school, and when I was 18, I studied at the Actors Studio in New York. Then I moved to London when I got engaged to Bryan Ferry, and I studied at the National Theatre there.

I studied drama.

I went to college and studied theater; I went to a theater conservatory. I live in New York because I wanted to do plays and still do plays.

I did some musical theater and studied a little bit of acting as well.

I had never written anything. And I had never studied writing. So my motives were pure: I had a great story... a courtroom drama that I sort of fictionalized, and that became 'A Time to Kill.'

I studied Shakespeare at the American Musical and Dramatic Academy in New York City, and 'Orange' was my first audition ever for TV or film.

I studied the sciences up until going to college, and I was either going to do medicine or drama. I chose drama, but I come from a whole line of doctors.

I studied performing arts at college and wanted to act.

I always say I thought I was making this exciting action movie but I actually always end up making character studies. Every single one.

In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?

I was an original member of the Actors' Studio.

I write R-rated action dramas, and every year that goes by, that gets to be a smaller and smaller world you have to work in. You have to think of how to get the studio excited and sell them something.

Hollywood in the 1930s is an incredible period of history. There are so many amazing stories about the stars and the studios at that time that you can't fit into one film.

I started studying theater in school, and then I got into drama school at, like, 19, and it was a national drama school in Montreal, and so it was just you and nine other students for three years, and it was really intense.

I was at college studying psychology, philosophy, textiles and drama. But because I wasn't one of those all-singing, all-dancing stage-school kids, I just assumed I'd never become an actor.

I went to study English for two reasons. Principally because when I was in university, studying drama wasn't considered an option. You couldn't get a degree course for it. And so many plays and things that I was interested in landed themselves in a broader spectrum of literature.

Drama aids self-discovery like nothing else. In removing it from our schools, we remove the inestimable benefits of it from our society. No amount of studying oxbow lakes was ever going to help me emotionally through the death of my father.