Quotes About Drama

It was very, very difficult to be a student in the drama department and also review my professors' school shows. I got a lot of pressure from them to quit the paper and concentrate on studying dramatic literature.

After studying theatre from National School of Drama, theatre became a passion, an ambition.

'The War' is a stunning achievement in filmmaking.

I come from a huge theater background. The whole action and stunt world just came as the roles were available.

Obviously, for safety reasons, there's some stuff I can't do, but fighting is more than just about nailing the moves accurately, to sort of pull off the stunt sequence. It's also about bringing emotion to it and character.

In Tamil or Malayalam, there was a time when light films ruled. Then, a spate of drama or women-oriented stunt films followed.

In 'Sisters of War,' I got to do one of my own stunts. Running out of the building because the Japanese were firing, with all these little spark plugs are going off, looking like explosions and bullets flying down. That was really fun.

You can film the most exciting car chase and the most exciting stunts, but if you don't care about the person inside the car, and you don't care about their predicament, you're not really going to care about the action, either.

It's not stupid TV, it's not a reality program. It actually is complex. There's many layers to 'Heroes.'

My style is all about drama, color, and just having fun!

The opulence and grandeur of a lot of period drama really helps you get into character and appreciate the luxury of good quality. If you're fashion-minded in any way, you can't help but be incredibly inspired and apply elements to your own style.

I prefer to underplay scenes rather than, you know, be big and drive them. And sometimes you have to do that, but I like the more natural styles.

Personally, I don't want to do theater that's very stylish, when it's just stories on stage that are basically the same as TV or film.

I'd always liked the idea that drama acts at its best as a kind of arena for debate, not just about the thing itself, but also producing aesthetic, stylistic, political and moral discussions.

The acting of the '50s is really stylized, so you're not really getting a lot of authentic, everyday characterization of people.

Animals are stylized characters in a kind of old saga - stylized because even the most acute of them have little leeway as they play out their parts.

Dramatic experience is not logical; it may be subdued to the kind of coherence that we indicate when we speak, in criticism, of form.

I hope they make a show like M*A*S*H, which dealt with a lot of difficult subject matter but was very funny.

I think plays have nothing to do with one's own personal life. Not in my experience, anyway. The stuff of drama has to do, not with your subject matter, anyway, but with how you treat it. Drama includes pain, loss, regret - that's what drama is about!

I write plays about big, intense subjects.

About Grade 9 and Grade 10, I had a fantastic drama teacher, and it was one of the first subjects I actually felt that I was good at. I wasn't a mathematician. Didn't like science, any of those subjects. English and Drama were the two subjects that I loved and felt that I was good at.

I had decent but not great grades in high school because I was highly motivated in some subjects, like the arts, drama, English, and history, but in math and science I was a screw-up. Wooster saw something in me, and I really flourished there. I got into theatre, took photography and painting classes.

Everyone's got to make one submarine drama in their life.

I love submarine movies.