Quotes About Show

I wanted to do a show about a character that was an innocent, and so I focused on a sea sponge because it's a funny animal, a strange one.

You have to imagine you write a show about a sponge and you think that maybe a few people will think it is funny, some college students, but it takes off. It is truly shocking - to the point where it is bizarre.

My go-to is always Chipotle when I can't find anything, but if I have the time in the evening or something like that after a show, I'll go find a local spot for a nice craft beer and a good burger or something like that.

I went to Broadway and I've been doing some fun guest spots with 'Entourage' and 'Glee' and I'm ready to have my own show.

In the spring of 1996, I was working for Nickelodeon on a show called 'Rocko's Modern Life,' and I was interested at the time in doing a show about the ocean, an undersea show.

'XIII' is a spy show. I think the comic book is a little too similar to 'The Bourne Identity.' I tried to take it away from that. I believe there was, many years ago, before the Bourne movies, a lawsuit that made it so they couldn't be published in English.

A sponge is a funny animal to center a show on. At first, I drew a few natural sponges - amorphous shapes, blobs - which was the correct thing to do biologically as a marine science teacher. Then I drew a square sponge, and it looked so funny.

Porto is a club which offers maximum stability to help me show my best level.

My first stadium show was in China, it was a 50,000-seat stadium. I think 40,000 showed up.

The magazine, the daytime show, we've always tried to write affordable, accessible. Those are key words for us, and I do mean us, a huge staff of people at the magazine who love to cook affordable, friendly food that helps families eat better for less.

When I was a staff writer on 'NYPD Blue,' it was truly my job to hear David Milch's voice for that show and to deliver episodes that embodied that voice.

My God, the stage is the only place I know where to go.

So many horses get stage fright when they enter the arena, and that's it - the performance is over.

I don't like going on stage. Stages mean 'nervous' for me.

What I do know is how difficult it is in this industry to get a show on the air. There's so many different stages: getting a script bought by the network, then getting a pilot made and having that pilot go to series, and then, when that series gets on the air, having people watch it.

Oftentimes, I feel like the clock is on, and there's money at stake, and you gotta get up there and dance for grandma, and it better be great, and you better get it right.

It isn't easy to create a dance show, and it's different from choreographing for films... You need a lot of stamina and practice.

I don't think there's any show comparable to 'Game of Thrones' in terms of the way it does the fantasy element to such a high standard: everything is created with so much care and detail. You really feel like you are transported into this entirely other fictional place.

I honestly feel like we never had a bad episode by TV standards. Every week I felt there were so many strong components of the show, especially the writing.

It's really frustrating when you write a show and it's really funny and someone and from Standards and Decency says, 'You can't put that in because it has a naughty word.'

Most of my career has been about standing on a stage performing music to an audience, and once the show is over, they go home and I go on to the next show.

'Days of Our Lives' was an insane schedule. You're doing a whole one-hour show in a day. You do a very cursory run-through with the director telling you where you're going to be standing, then you do a quick rehearsal on camera and you shoot it.

Performing is just standing up there and doing something. Performance takes on an edge to it. It has a more dramatic context.

Indeed, the actor's lot is a much harder one than that of the director's, from one simple standpoint: The actor has to play the eight shows a week.