Quotes About Show

And then I went to 'Dawson's Creek,' which is a show that was, for better or for worse, all about the language. It was a word-perfect show, which I'd never had any experience with. And it was really shocking for me. I felt really hemmed in. At the time, it wasn't my favorite working experience.

The biggest thing when you come to my show live... is that you get to know the person's heart - the stories behind the songs, the depth of the music and there will be some amazing worship moments. You'll get an amazing experience because this is real to me and you'll see that.

The worst thing is that you used to be able to show interesting films on campuses. Those places are all gone.

We're going to shoot one Polaroid per show. I'm going to sign this before it even develops because I know that once it develops with my signature on it, it's worth a fortune. I'll make this a work of magic warlock art.

I've learned to wait 'til an idea is worth making. That's not really a lesson I've learned; I sort of always did it that way. But there's no reason or need to make videos prior to when you make a show, because then you need material for it.

I think the idea of having the show divided into two parts was that Tom Tom Club opened for Talking Heads in Europe, and it was the best we'd ever had as an opening act.

The problem with 'Today' was whether it was an entertainment show. Tom Brokaw and I had that battle for three weeks. He's a purist, and I was brought in for entertainment.

I had no regret to the 'cuchi-cuchi' show. It showed me the way to the bank. It's a gimmick. It's fun. It has nothing to do with sex... it's energy and fun... If it wasn't for 'cuchi-cuchi,' I would be selling tomatoes in Tijuana.

I really am a theater person. That means you put something out there, and you let it go. Tomorrow night is a new performance.

'Girls' is a huge show, as far as buzz, and magazine covers, and getting a ton of copy, and awards. And yet I don't think the viewership is huge.

I've learned 90 percent of what I know from watching and listening to actors. A good leading actor is the rock of the show. Their energy and their tone really sets the groundwork for how everything is going to work. I've been lucky to deal with stars who are very giving and generous.

I recently saw HBO's 'Getting On,' and I was like, 'That's awesome.' I love that tone. It's a great show.

We knew we wanted to have our own tone for the show. And then the big instrument that actually we came up with was the cello. It has a big range. It can play really low. It can play high. And it has a dark sound, and 'Game Of Thrones' is obviously - it's a dark show, and the cello became the featured instrument.

Just like every show has a tone, every show has different people on it playing different games. I don't say 'game' in a pejorative sense, I just mean, these are different stories that we tell ourselves when we go to work.

Aidan Gillen is such a great actor, and it was so nice to have an opportunity to work with him, even if it's his last scene, because he had a tone that he'd never had before on the show.

Mike and I like a balance of tones. We never set out to make an overtly silly show or an overly serious dramatic show.

I'm so excited and honored to be part of 'Entertainment Tonight!' 'E.T.' was the show that started all the entertainment news, so I couldn't be more thrilled.

It took me a lot of years on the 'Burnett' show to feel like I had earned the privilege to play in the sandbox with the grown-ups.

Comedy is like math - you can check your answer because you know you've gotten it right if you get a laugh. It just makes sense to me. I feel like because I've had to keep that tool in my box for so long, I'm ready to show it off a bit.

The whole idea is preserving the music and the art and not having us and our faces and our individual characters distract from that. That was the original idea, and now it's really become part of what Tool is. It has allowed us to really concentrate on our music and our show.

With each job that you're given an opportunity to do, you're asked to use new parts of yourself and to figure the play out with other tools that you perhaps didn't use with the last show.

I respect the hell out of everyone who does a network show. That is a marathon. It's so many episodes, and it can be a meat grinder. Anyone making a network show, and on top of that making a very good network show, that's an insane feat of Herculean endurance and fortitude.

'Top Chef' is always entertaining - it's hard to stop watching, like a good hockey fight, but no one gets hurt. It's great that the format is so inherently dramatic and can make cooking so entertaining to people who might not ordinarily be interested in a cooking show. Good for the industry all round.

I feel sex is a common topic everyone see in content of any television shows be it a fiction or live comedy or a chat show.