Quotes About Show

hay que mostrar, no explicar.

If I've changed, I've changed." "Have you really changed, or are you only making a show?" "Making a show?" "Yes." "...I don't really know.

Directly after the show people might have responded better to it, but who really knows. It did what it did and while it seems like a failure to most but it was a success for me and has given me so many opportunities.

It would be great to do another television show that was a multi-camera because the hours are so wonderful and you can be a good mom at the same time. The problem is, there aren't a lot of multi-camera shows that I personally like. My aesthetic is more geared toward single-camera shows.

I've always loved working, doing interviews with the guys on the 'Today' show; everyone's really easygoing, and I always feel comfortable on the show.

'First Take' is known for the hot sport debate, which we'll continue to have. But also, I think another important aspect of the show is having the big-time interviews and the big-time guests, and being in New York gives it that feel.

I could have done a night at the O2 in London, but I couldn't bring myself to do it. I'm not being big-headed, but for my act I can't be talking to an audience of 12,000 people. There's no intimacy.

When a show's already established, and a director comes to set, it can be quite the intimidating experience.

Oviya' as a story is intriguing and exciting to work for. The character I play as part of the show, even if it is just for five episodes, it is a crucial role that changes the course of the show.

As far as Raikar Case' is concerned, I give the entire credit to the writer because of the way they have written this show. It is extremely intriguing.

I was in 'The Voice of Finland' in 2012 and my girlfriend - fiancee now - watched the show, liked me a lot and sent me a fan message through Facebook. She wrote, 'I have never, ever sent a message like this to anybody, but I just had this intuition that I have to send this to you.'

This play is truly a great invention, and we're having a great time doing it eight times a week.

We have a conversation before every season now and we just take inventory. Are we having fun? Can we do things? Can we push the envelope still? Can we evolve the show still? Are people still watching?

'Bonnie and Clyde' was the first show and the first role that I got to originate. Being part of that from the ground up and investing three years of my life into seeing that show come to Broadway was really rigorous but also so exciting.

In the world of online invitations, nothing is sacred. People will invite all 500 of their 'closest' friends to their birthday party - and 485 of those people will RSVP 'yes' without intending to show up.

In many senses, 'Borgen' was a very democratic show. I was always invited to hear the writers' thoughts for the next episodes and allowed to comment on them.

'Vikings' is filmed in Ireland, and 400 people get jobs from that show. Their economy is not that good, so I'm proud of what we've done and will do anything to help that show.

Whenever I come to Ireland, I end up just bantering with the crowd so the show will just be what it is.

I'm proud of my Irish heritage and culture and this show will feature a lot of Irish dancing.

My first job was on the end of a pier in the Isle of Wight doing show business.

People come from all over the world to be on the show, and it still works because of all the interesting items coming in.

My wife kept looking at the Jack Paar show and telling me that's what I should be doing on television. But I kept telling her she was wrong.

In '87, I used to do this awful, awful James Brown impression.

But James Gandolfini and Edie Falco, they did such great work, especially in the last show.