Quotes About Show

The fear that you come to a show called 'American Horror Story' with is yours. That being said, I'm glad people are afraid, and I hope that I'm contributing to their fear. I'm really not afraid of my own darkness anymore. I'm not afraid of what I'm capable of.

I love 'Yo Gabba Gabba!' because it's a real kids' show. There hasn't been a real kids' show since 'Dora the Explorer.' It mixes hip-hop with being a kid. Hip-hop came from youths anyway. It's just a great, funky show.

You've got to have a young element in a show. Any project needs youth and dynamism as well old codgerdom and experience.

If YouTube had existed in 1999, I wouldn't have had a show. And if YouTube had existed in 1999, I wouldn't have wanted to do the show, because I couldn't imagine clips from it following me a decade later.

YouTube has become more mature, both as a platform and as a community. So much content has been added in almost every conceivable category that there are no more free passes on just getting there first. I think there are greater expectations for audience participation, the kind of participation that makes a real impact in a show's community.

Your YouTube channel is your show. I think it's a wonderful platform for anyone who wants to have stronger creative control over their content, their message, their vision and their branding.

I started using Twitter a lot and realized I had a lot of fans. Then I saw that I can share my music on Twitter and share my YouTube videos on Twitter. That's how I knew social media was going to be a platform to show my music. That's how I started. I started with Twitter.

YouTube Live @ E3 is going to be different than the kind of show I would make for TV. In fact, one of the main draws is the opportunity to work side by side with many of the top creators on YouTube.

Iraq now says that it will, after all, destroy its missiles. President Bush said, 'Please, I used to pull the same trick. There'd be an intervention, I'd make a big show of pouring out the liquor and then there was a case under the floorboards.'

I am a street performer as much as I am a stage performer. Yes, I have a television show, but every trick, every 'Mindfreak' you see, I can do live.

My show is constantly evolving... new tricks are added, old ones are dropped... so it stays fresh. But it's the randomly selected participants from the audience that make it fresh and provide some of the best comic relief.

I'm such a proponent of the theatrical experience and the cinematic experience, and we've reached this point where the magicians are not only giving away their tricks, but they're telling us how they're doing the tricks in advance before you even come to the magic show. It'd be nice to get a little of the mystery back in.

I'm a real street-ball player. I like to do silly tricks and show off.

I find historical figures in general very tricky because you feel at times that you're serving two masters. Not only the arc and wonderful writing that comes with the show, but also the history of a person's life.

I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.

Cannes is a very strange place. I tried to show up as best I could and to try not to be cynical.

Yes, and many times it's frustrating, because I'm simply part of the show, and I'm not in the creative end of it, who goes out with detectives and tries to find these things out.

I think the first Broadway show that I saw was 'Beauty and the Beast,' and that was in 5th or 6th grade. Our school would take bus trips up to see shows, and so it was on one of their bus trips that I got to see 'Beauty and the Beast.'

I'm a very practical actor, and having an artistic triumph that's a commercial flop doesn't do you any good, in any phase of show world.

It's part of the calling to at least do a few songs in the show that give people some hope. There's so much hurt in this world and... music is such a great healing balm and a great way to forget your troubles.

I've watched almost six shows at the LIFW, and I loved Ranna Gill for her flowing white skirts with silver coins, Manish Arora's hot pink drain pipe trousers and Rohit Bal's superb finish.

I rode it once, which was up the driveway in the opening credits of the show. I didn't know how to stop it. I actually nearly killed the director of photography, and I smashed into the sound truck.

A lot of bands, they take a lot of planning to do a live record. They have to hire a crew, and they have to have a recording truck and all this equipment, and they record every single show.

The fact that 'True Blood' affects people in this way is incredible to me - the fact we have to go to such great lengths to hide storylines just proves the cache our show has.