Quotes About Audience

British audiences tend to want to see their own lives reflected on TV, whereas American audiences are quite aspirational and enjoy high-concept shows that show them lives that are perhaps slightly more exciting than they aspire to.

Whereas European films have traditionally been able to go into adult relationships. I think there's a huge audience in America for those kinds of films.

Being onstage is like being rock star. Whereas if you're doing a movie, it's such a confined space. You know, you do a comedy, it's so hard, too, 'cause with a comedy, there's no vocal reaction, there's no energy that you get back that spurs you on to be funnier because everyone has to be quiet.

A bad guy always assumes he's going to win, whereas the good guy has to struggle with, what if I lose?, and the audience wants to struggle with him.

I find theatre easier than films, because it gives you an environment of a dark hall, the audience concentrating with you... whereas, film sets are not conducive to long rehearsals, and it is difficult to pick up the emotions amidst all that is going on around you.

Put me on telly, and I think I have a relaxation on camera that makes an audience relax, too. It's not a conscious thing. Cameras don't bother me, whereas other people try to perform to them.

I think '24' is a more mature audience, whereas 'Heroes' is a little bit younger. But I have to say, neither one is child friendly. My daughter doesn't get to watch either show!

For me, I live for performing live because people look at magicians on television, and they always wonder, 'Is it a camera trick?' 'Is it a stooge?' whereas, live, they know there's no set-ups; there's no stooges.

I love the interactive nature of theater. I just craved it. As much as I love working on a film or TV set, most of the storytelling happens in the editing, whereas when you're doing a play, the storytelling is in your hands as an actor.

My focus are only films. There is something special about films as when it is being played in a dark theatre, the audience is watching only you. Whereas in TV there are a lot distraction.

Street artists want to add something to the environment. They consider the audience, whereas graffiti writers don't care about anyone except themselves, they do it purely for the kick.

If you make just hardcore horror, there's a limited audience for that. Whereas if it's horror mixed with action, I think you kinda broaden your potential fanbase.

I think people are realizing that whereas now the 'Ultimate Fighting Championship' has taken over what people used to like about pro wrestling in the '70s and '80s. We just want to see who's going to fight for the title.

There isn't a country I ain't touch in Africa. I just came back from South of France, I toured China, Japan, wherever you name, 60,000 people come out to see Fat Joe.

Trump is a room-reader. He'll slow down a line, rephrase a point, work in a pause, and ride the energy of his audience wherever it takes him.

It would upset me if someone watching a show was thinking about me, Milo, as an individual at the supermarket or at a concert, wherever, and they're not thinking about what the character is experiencing.

I don't necessarily feel 100 per cent comfortable standing up on stage in front of lots of people, but I don't think most people would. It's a pretty bizarre thing to do. It can also be absolutely incredible having thousands of people singing back lyrics that you might have written in your bedroom or wherever.

Everything I do, I do it with the hope that people will watch it more than twice. Whether it's 'Pan's Labyrinth' or 'Pacific Rim' or the opening of 'The Simpsons,' I do it with that hope.

It is not whether you really cry. It's whether the audience thinks you are crying.

The audience wants something that entertains them, and whether that entertainment is in the form of a physical match or in the form of a skit or video or promo, it's our job to deliver it to them, to the point where the audience becomes the biggest champion of our brand. And if we can't match that, then we're falling short.

You shouldn't talk about yourself all the time - most of us aren't for sale. Our books are. Talk about them. It's not a question of whether or not you're fascinating on a personal level - it's that your trivia and trials might not have any connection to the tone, tenor and sense of your books.

For a filmmaker, whether the film is liked, understood or appreciated counts as much as the moolah.

I'll get to the force field of this hostility, why it's there, why the rage is in any of us, why the trash takes place, whether or not it's between me and a couple of hecklers in the audience or between this country and another nation, the rage.

At Vienna, one of the audience affirmed publicly that my performance was not surprising, for he had distinctly seen, while I was playing my variations, the devil at my elbow, directing my arm and guiding my bow. My resemblance to the devil was a proof of my origin.