Quotes About Audience

Music is a kind of magical thing, and you can't make magic every time, but you try. Every once in a while it has that magic, and the audience knows that. I probably miss it more than I hit it, but I think that's what all musicians try for.

Rarely in broadcasting history has so much been riding on the whimsical flick of a few thousand wrists.

I like to feel the burn of the audience's eyes when I'm whispering all my darkest secrets into the microphone.

It would be real nice to have some kind of bell or whistle attached to this film - it would give it a longer life. People seem to need that validation to go to a film these days.

I may be a character artiste but I want the audiences to clap and whistle for me as well.

After years in white theaters I dreaded working in colored houses. The noise, the stomping, whistling, and cheering that hadn't annoyed me when I was young was now something I dreaded.

Fantasy stories have almost always been very white and European-focused, and we wanted to tell a story that would feel both more modern and more global. We wanted to attract a diverse audience.

I have a philosophy that white people would be interested in Native Americans because, first of all, it's probably the only group as a country we all study and know the history and then never study again past the age of 10. So I think we have these things we believe are true, that are just not true about what an audience wants.

As far as I'm concerned, the stakes are always very high. Whether it's playing at the White House or playing for a group in my own house - you know, one of those soirees I play in. Once I start playing, the stakes are somehow higher, in a way, than any of the context.

Technology is improving to prevent musicians from losing their hearing while performing on stage... audience members losing their hearing from listening to loud music... people being able to experience music not just with their ears, but with touch or with through their eyes.

The success of 'Dhruva' has given me more satisfaction than any of my previous hits, simply because the audience accepted the film even though it was experimental. I really hope this kind of acceptance makes experimental cinema the new mainstream cinema.

The Price Is Right can really get me going.

I guess The Grudge made over $100 million, but none of them had long legs after they came out but they all opened up and found an audience. If you could make those movies for a price, which is what I want to do with Spawn, then you could have some success.

A lot of YouTubers, because they have such pride in what they do, have a negative connotation towards television. I don't feel that way. I feel like it's another medium to reach a broader audience.

When I write lyrics for Priest, I'm writing them for Priest. I'm not writing them for me.

Our priests and presidents, our surgeons and lawyers, our educators and newscasters need worry less about satisfying the demands of their discipline than the demands of good showmanship.

I wanted to become a cricketer primarily because the idea of playing in front of 40,000 odd people gave me an adrenaline rush.

I think 'Party Down' found its audience primarily on Netflix and stuff like that, and primarily after it had been cancelled.

If you want to be an entertainer and just keep your audience happy, that's one thing. But to be an artist, I think, means ultimately primarily pleasing yourself, and in that respect, you constantly have this sense of confronting the expectations of your audience.

When we play live show we tend to find there's a whole portion that's a considerably younger demographic. That's quite gratifying. They primarily seem to be into 'The Hurting' which I guess makes sense.

A stage show's popularity depends on its organisers and the public, but primarily on the performer.

Primarily, a festival is a platform to sell films that are not meant for the mainstream audience. Cultural exchange is also important aspect of a film festival.

Things like dressing, postures and gestures are under the artiste's control. If I'm performing, my safety is primarily my responsibilityso I shouldn't end up doing anything that would infuriate the audience.

Be it any industry, what matters to me is the story as that is what the audience are primarily in a theatre for - to enjoy a good story.