Quotes About Audience

I'm very lucky to be a comedian, and I feel privileged that people come to see me in the expectation that I will make them laugh.

Being on 'Bandstand' was like getting a Nobel Prize. From 3 o'clock in the afternoon until 5:30, nobody was on the street. They were watching 'Bandstand.'

I'm a prize fighter. Put me in any card and I'll sell it out. I can do it, man.

What you want is the opportunity to work and an audience. Prizes after that are just a great big bonus.

I'm very pro presenting the best music I can to the widest audience possible.

When we play in the Pro Tour there's no crowds in, so you can concentrate better. The others play better as well, there's players who can't play too good on TV but on the floor when it's nice and quiet they can bang them in, let me tell you.

I can think of nothing that an audience won't understand. The only problem is to interest them; once they are interested, they understand anything in the world.

A friend once asked me what comedy was. That floored me. What is comedy? I don't know. Does anybody? Can you define it? All I know is that I learned how to get laughs, and that's all I know about it. You have to learn what people will laugh at, then proceed accordingly.

All I want to do is make sure that art is available to all Americans in a participatory way, whether you engage in the art process yourself or you're an audience member.

You have to edit it, mix it, color grade it, there are processes and the audience doesn't care when they binge-watch a show. They think in four weeks you should get the next season.

Movie acting is primarily listening. If you're really engaged, that's all a movie audience wants to see is you processing what's happening in your world.

Every show I've ever, you know, produced, essentially it's the show I want to watch myself.

When I started off in journalism, you knew there was an audience out there and that you wanted people to read what you produced. But it also felt like you had a limited ability to shape the audience, or to acquire an audience, for what you were doing. So you didn't really think too much about that.

The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.

No support of one star or one director or one producer can make any individual actor a star. You have to connect with the audience; the audience have to like you. That is something that cannot be manipulated or fought for or tried for. Either they like you, or they don't.

When something is not liked by people, you cannot make it run, however big actor or producer you may be. The audience has to make it a hit. The power is in the hands of the public.

I've always wanted to play a role as a producer and a curator and to help make drag really have an epic scale and a large audience and a lot of interest.

Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to.

I get a lot of love from Delhiites. My producers tell me that my films do really well here.

The two Hindi movies that I did were not marketed well, and so not many people came to watch the film, hence the audience doesn't know much about me. I am a newcomer, and I cannot sell a film on my own. There has to be a backing in terms of producers.

A franchise gives a sense of security to everyone - the director, producers, exhibitors, and even the audience feels that they are watching something close to the first part.

Some producers hang-on to that old cliche that if the audience hears the music, it is no good. I say this is so much talk. Music gives the film another dimension, if it's done with the story in mind.

Marathi film producers conveniently blame the audience. If there are 70-odd flops in a year, there are a few that are hit because the same audience comes to the theatres.

I've always been a great believer that you have to keep producing new things in order to keep life interesting - not only for ourselves, but for the audience as well. That's really always been our principle and way of working.