Quotes About Audience

I always say to anybody who's going over to America for the first time, 'Whatever you do, go and see a popular mainstream film with a big audience.' Because people shout out. You never get that in Britain. Everybody's so quiet, scared to laugh. It's like being in church.

I guess my idea of a good audience is one that's quiet and listens, but also that's alive: they respond, they're getting the jokes, they're with me. And that' s been happening.

The players never think they project enough. In a hall that seats 3,300 people, it's a very scary thing to play so quietly that you can barely hear yourself.

Whether or not we communicate it, I definitely seek my mom's acceptance and approval for everything. She has a strong commercial sense of movies and is a quintessential audience. When she doesn't like something, I know there is reason to worry. When she loves something, there is reason to celebrate.

I have been very cautious about the films that I do. I hope to always entertain my audience. The day I am not able to do that, I will quit acting.

You do something you're really quite proud of, and the public doesn't like it. Then you do something that perhaps you're not at all happy with and the public loves it. And that's the moment of truth, because it's the audience that's the final judge.

You learn quite a bit about your film from test screening audiences.

Being in the audience actually looks like quite a lot of fun.

With the Echoes tour there was quite a lot of people who came to the shows that were attracted by the music and the sentiment on the album.

I believe in providing an alternative for fans, and I really believe that the audience has wanted an alternative for quite some time. This is now the platform to give people exactly what they want, and I am really looking forward to proving myself in AEW.

To me comedy is like being a magician, once they know the rabbit is coming out of the hat they won't care.

Hollywood panders to the 18-to-34 crowd. That demographic doesn't care about race and the package it comes in. They care about the hottest chick. They just like hot chicks.

I've always said that racing in New York is performing on the big stage.

If I as a filmmaker take a very radical subject, which might not get an audience in the first week, multiplexes wouldn't agree to let it play on their screens.

I like to write sad songs. They're much easier to write and you get a lot more emotion into them. But people don't want to hear them as much. And radio definitely doesn't; they want that positive, uptempo thing.

If I had to play only for people who liked the music because they heard it on the radio, it wouldn't make me happy. That's why I'm working so hard to have, yes, a profile as an artist, but also a profile as a DJ.

I like radio better than television because if you make a mistake on radio, they don't know. You can make up anything on the radio.

Nobody wants to hear R&B. It's sad. If you want to be on the radio you got to stay young.

People in America, when listening to radio, like to lean forward. People in Britain like to lean back.

If part of the purpose of making an album is to get some radio play, then you might as well think about that. But that's not really how we picked the songs.

If the choice is between doing something supercool and having no one hear it and doing something equally cool and tricking people into putting it on the radio, I don't think the second option is some big sellout.

When people come to the show they think we are a legendary band because they hear us on Classic Rock radio all the time. It is psychological. That's okay - I'm down with that.

Public radio has always been so powerless.

Radio is not a partner in the industry. I think that the music industry has continued to depend upon radio, but has ended up pandering to a medium that doesn't care.