Quotes About Audience

For me, Facebook and Twitter was always just a way for me to reach out to the fans of the show, to communicate with my friends who where in the business, and I never felt like I wanted to use it to further my career in some way. I don't know that it has the power or the ability to do that. I just never thought about it in those terms.

I don't try to communicate with my 'audience'. I don't bother with that any more. I used to try to have conversations with people, but it's futile.

The fans like a certain thing in certain areas. In Florida, they like the gaga.

The reason I'm an actor and am trying to make my way in drama is to move people, to affect people, to gain a response - so these people who come up to you in the street are your audience.

Pay-per-view is bit of a gamble.

At a very basic level, I think television exists for game shows, and I think it always will.

I don't do game shows.

I'm not big on game shows.

We know that's what's best for our fans, to have all the games on TV.

Look at music like gaming. You monetize the game to all the people who are most engaged. I wanted to bring that theory and thinking to music.

There's nothing worse than looking out and seeing some guy with his arms crossed while you're singing your heart out on a new song, and he's going, 'When are they going to do 'Me and My Gang?''

I look forward to parts that have a dimension or depth to them. This makes it interesting for me to do and the audience to watch. Whether he's a chocolate boy die hard romantic or a gangster with swag, every good has a little bad and every bad has a little good in them.

At least in making an action film, there's always going to be someone who wants to see a car chase. Even if a lot of the people don't like it, there will be a lot of people that do. But bad comedy is just garbage.

What's the point of doing a brilliant Hedda Gabler in my back garden if no one will ever see it?

New York, playing in the Garden, I've always been a player who likes to play with a lot of people watching.

By being part of films like 'Judwaa 2,' I can ensure that I garner more fans, who'd then want to watch me in other powerful films.

You've got to give an audience something to root for. The minute you get into more dystopian shows, where everything's really dark, and no one has any hope, and there's no positive goal we're working toward, it's a bummer. You run out of gas with them. Because you need to know, 'What am I in this for? What am I rooting for?'

It's nice to get the feedback from a theater audience. It's a gas.

Every author believes that the book which he is placing before the public will 'fill a long-felt want,' and success or failure depends very much on how closely he has been able to gauge the nature of the 'long-felt want.'

I use myself as the barometer to gauge what is scary. I like to think if something scares me, then there's a very good chance an audience will feel the same way.

To call me gay is a compliment. Also, if I'd been macho, I'd just have had an audience full of men.

Suddenly if I shift gears and go from Hyderabad to Bangalore, I might find myself out of place. It is a different route with a different set of audience.

I'm a good audience in general, but it's hard to make me laugh.

The gallery is generating work for the masses.