Quotes About Audience

When I do my shows, it's really cross-generational. Sometimes there's three generations there.

Before 'Bake Off,' frankly, if you'd asked most people on the bus if they'd ever heard of me, it would probably only have been those aged over 55. But if they were 15, they wouldn't have, and that's the difference with 'Bake Off' - it's loved across the generations.

The action genre is kind of designed for a young male audience. But we found on 'The Matrix' that we hit the Valhalla of movie making, which is the four quadrant audience - the young male audience, the older male audience, the young female audience and the older female audience.

People just want to watch movies that are entertaining, it doesn't matter what genre it is.

Chennai audience is musically-inclined. They understand and enjoy different genres of music.

Ethnic sensitivity both on-camera and behind it demonstrates a corporate understanding of the benefits of diversity and a genuine respect for the audiences' needs.

Just make games for yourself and try to have a critical eye to what you do. If you genuinely like the game, there will be other people who like it as well.

Luckily for me, I genuinely like my audience. They really are a good bunch.

If all you're doing is playing it safe - trying to make the same movie over and over again - that's when the audiences say, 'Oh, this is just a moneymaking machine.' But if it's genuinely in service to the art form, then the franchise concept is being used in a way that's exciting.

George Carlin maintained that anything and everything is funny given the right context. This context also includes your own history with a given group. What I can get away with and where I can go is not a problem with my audience because they know me.

I love playing in Germany. I love playing anywhere where people are going to enjoy the music. Germany is especially nice to play.

Germany is the country where action films perform the worst. It's the worst market in the world for these kind of movies.

I feel like you have to constantly evolve because if you're not changing, the audience gets bored.

Any audience that gets a laugh out of me gets it while I'm facing them.

I just do the cream-of-the-crop songs in my show. We just bowl them over; they love us. It just keeps getting better.

Marvel is obviously a giant, global super-brand, so being a part of that is exciting because of the huge built-in audience and the appetite for it.

The second gig I did was New Year's Eve at the Birmingham Anglers Club, and that started with booing.

When you're on tour. there's a contract between you and the audience: do what you want, as long as you do what we want. You're having to play with the past at every gig.

When I make eye contact with our fans while playing a gig, I seem to have the most energy.

The podcasting world has changed the way I book my shows. I knew that I could announce a gig on a podcast and that people would hear it. People that like what I do would hear, 'Oh, he's in my city.' And that makes it so much easier.

For us every gig is a responsibility. We don't want people seeing us then saying, 'They're not as good as The Proclaimers.'

You learn to read the audiences after a while, and there are all different kinds of gigs.

You've seen one of the our gigs you've seen 'em all. But if you're into the music, you'll know that we played better the night before or we can play better.

Some gigs will go great. I figure you do a gig, and as many as can get there will get there.