Quotes About Audience

It's a fine line. If you withhold too much, you come across as wooden - as I've often been described in some movies. Fair enough. I believe that the best performances are the ones that an audience has to search for.

I was admired by all these hippies, and it was wonderful playing at Monterey and Woodstock, performing for half a million people.

When they said there was gonna be about 100,000 people at Woodstock, and it went up to 200,000, I just blanked off and thought, 'I don't want to do this.' If they're filming it, it's too nerve-racking.

But, what did happen is I went to Woodstock as a member of the audience. I did not show up there with a road manager and a couple of guitars. I showed up with a change of clothes and a toothbrush.

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I don't know if you know you're funny, but you enjoy being funny. I know I'm funny because people tell me I am, but when I watch myself, it doesn't make me laugh. Does that make sense? Because I know the jokes, and to me, I feel like I'm pulling the wool over people's eyes. And there are probably people who do not enjoy what I do.

I don't care about the word 'pop'. The Beatles were pop; it's just what's popular.

I like to weed out the people who aren't going to enjoy me straight off the bat. If you look at all my specials, I do start more extreme and then, as I get into it, sort of at the three-quarter mark, I normally have a bit of pathos. Is pathos the right word?

I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.

You know, it's not the people in Hollywood who go to see movies that will make a movie successful; it's the people all around the country; it's word-of-mouth.

I'm hoping that word-of-mouth on the film - people seeing it and liking it - that that will drive more people to the theaters, because I haven't seen the billboards or the posters or anything.

I don't quite know how to put it into words, but I feel for the audience that I have; I know them.

Only two to three per cent of an audience is interested in words and pays attention to lyrics; most of the rest of it is about image or the beat or the sound, or else it's a tribal thing - country & western, rap, heavy metal, with historical folk rock off in some kind of cult.

As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.

I'm the one person who wears the words 'hustle, loyalty, respect' on my T-shirts and merchandise. My audience is children. It's very flattering to see a kid wear your T-shirt; it's even more flattering to have a dad come up to you and say, 'I watch you with my kid. Keep doing what you're doing. You're a role model for my son.'

A master performer like Bill Clinton never lost sight of the fact that as president he had to project confidence and power, but if he was speaking to a group of autoworkers he would adjust his accent and his words to fit the audience, and do the same for a group of executives.

Some comedians tell nice jokes that you can tell to your kids. Some use bad words - they work 'blue.' If you don't want to hear a joke that's blue, you shouldn't go to a comedy club where a comedian who makes blue jokes is performing.

All my big mistakes are when I try to second-guess or please an audience. My work is always stronger when I get very selfish about it.

I think awards are good for the movie. They can bring a new audience to the movie. I've always claimed that things like that don't get you work. Work gets you work. That's my blue-collar, protestant work ethic.

Music doesn't have to be fancy. I work hard and enjoy the fact that people want to come to my shows. That's simple, but I'm pretty blue-collar about it.

Performance-wise, you really need to be down in the trenches; you need to do the hard work, for a lot of reasons: To build yourself as a performer, to get a sense of the audience, to work hard and to wonder, 'Do I really want to do this?'

We work hard on every film, and then it's up to the audience whether they like it or not. At the end of the day, it is the audience wish what to accept and what not.

I don't believe I can offend you in a comedy club. I don't believe I can offend you in a concert. A comedy club is a place where you work out material; you're trying material.

Listen, if you a comedian, and you try to jump in the rap lane, it's not gonna work out the way you think it's gonna work out. Just cause you got 4 million followers, 5 million followers, them people follow you 'cause you a comedian. So, once you try to rap they are not going to take you serious.