Quotes About Audience

Endings are really hard to do, and it's hard to do an ending where it's sort of collaborative with thousands and thousands of people, and to satisfy all those people is impossible.

You can only absorb when you look back at photos: like when we played Coachella, and there are thousands of people in the audience, and you just walk on stage.

When I say I'm the biggest musical act on the face of the planet, I really mean that. I'm in front of tens of thousands of people, millions around the world, performing every week. Is there anybody else that's doing that? I don't think so.

I love the fact that I can make a podcast in my house and tens of thousands of people will hear it. I also like that it's gotten rid of a lot of gatekeepers.

The thing about doing gigs is you make music, and then it is gone and that is being watched by thousands of people.

It's easy to say when you're on the outside and when you're the coach or for people to say, 'Oh, you should have done this, you should have done that.' But when you're in there in front of thousands of people and you get hit and you want to win the fight, it's totally different.

I used to play music at home, and now I'm playing for thousands of people.

There is a big difference between performing in WWE before thousands of people in an arena and acting in a scene with a camera close-up on your face.

It's so wild to be able to say that I can do shows in front of thousands of people and have them sing my songs in Korean and in English - that is wild to me.

The problem that we're solving is: You're a creator, and you're reaching thousands of people, or hundreds of thousands or millions of people, and you're not getting paid, you don't have a monthly paycheck. What we're not is a distribution platform. We're not a place to find brand new fans if you don't have an audience yet for your work.

It's a really nice way to cut your teeth, doing live shows. It's like going to the gym because you do have to think fast. You are constantly under the threat of people not laughing. Instead of getting hit, people could just not laugh, so you really are trying to mine quickly for the funniest thing you could say in that moment.

There are times when there's been some discontent and muttered threats from audience members. I take no notice, and in any case, I always have John Carroll around to deflect unpleasantness.

Happy Days, which we did for 11 years, we did with three cameras in front of a live audience. Very special. We had a party every Friday night. The boys, Ron, Henry, they grew up on that show.

I'm glad that cinema is catching up to what television has known for a while: That three-dimensional, complex women get an audience engaged as much as the men.

I don't think there has been any increase in sophistication in the audience. When people are aware of a concept that's easy to understand, and there's an actor who will attract them to the theater and it's a movie that's funny three-quarters of the time, it will be successful.

On average, the higher the novelty score a film had, the better it did at the box office. But only up to a point. Push past that novelty threshold, and there's a precipice; the revenue earned by a film fell off a cliff.

The first time we played in Berlin, there was this guy who went into the show expecting Steve Perry. He was so frustrated, he threw this paper cup filled with beer on me.

Performing for live audiences and seeing the fans' faces is a thrill like no other.

The best feeling in the world is performing in front of a live audience who like what you're doing. I can understand why people become dictators just because of the thrill they get making the speeches.

The thrill of performing - that's something that hasn't changed for me. That simultaneous joy of creating something and sharing it with an audience - it's the same now as it was then, when it was just my cousins' birthday party.

The biggest thrill in the world is entertaining the public, there is no bigger thrill than that.

I love that moment just before the curtain goes up, whether I'm sitting in the audience or standing backstage. It's full of expectation. It's a thrill that's unequaled anywhere.

There was something about being in front of audiences when I was in elementary school plays that gave me a thrill. It was like the rush you get from a roller coaster drop.

Yes, I mean, There's nothing like it. There is an added sense of pressure because of that, but there's also nothing like the thrill you get being in the same space with that audience right there and then. And when you do it, it's over.