Quotes About Audience

Well, news is anything that's interesting, that relates to what's happening in the world, what's happening in areas of the culture that would be of interest to your audience.

If you find a story that everybody likes and everybody relates to in some way, then you know you have a good story. But if you're telling a story and all the women are going, 'I'm checked out of this, I just don't really care,' then you're going to have some problems.

I just enjoy being onstage and relating to the audience.

Acting is all about relating to the people on stage with you, even in plays that break the fourth wall. Clowning, for the most part, is the opposite. If somebody in the audience sneezes, I can count on it: I don't even have to look at Shiner; he'll have his handkerchief out. It's all about all of us in the room together.

I always make sure there's something for the audience to connect to, in terms of my movements relating to the sounds being heard.

The journalist in me always loved relating and socialising and connecting with people, but there came a point where I needed to make a decision to stop that being my focus and really focus on acting - an audience are only really going to believe me as a character to an extent if they don't know me as Lily that well.

I think that the audience is smart enough to know that just because a drama is relating to real-world parallels, it doesn't mean that its story is exactly that story.

The relation between a poet and audience is really insignificant. What matters is the poet is hearing something that he is broadcasting. And whether there is anybody with a receiver isn't the reason he does it. He hopes there is somebody receiving it.

I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms, so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it.

It defiantly helps the chemistry onscreen if the audience can tell if the relationship is real or not.

The relationship with a live audience seems to me to count for more.

What I do is creative. It doesn't seem like that when I'm playing a piece that was written in the past, but the score is just the outline and everything in it is relative. The key is to make this piece written by someone else belong to you and then connect to the audience.

And that's another reason to make this movie: We can put plays on film now, at a relatively small cost, and they will reach an audience they would never have reached otherwise.

Our profile was pretty low, deliberately so. Our constituents were a relatively small audience.

I've been at this for 40 years. And, as an academic, I've been content with relatively small audiences, with the thought that the audience I long for will find its way eventually to what I have written, provided that what I have written is good enough.

Thats the great thing about the Dirty Knobs over the years. Wed play these relatively small places and we wouldnt have any hits. Wed try to win them over in the moment.

Love in capital letters is important. It is impossible to live without love. You must have the feeling of being loved. All artists need love - from the audience, friends and relatives. But true and faithful friends are exceptionally rare.

The hardest part about improv is getting the audience to relax and enjoy themselves, because most improv is not very good, and the audience is nervous for the performers the whole time. Not that they don't even like the show, but they feel bad for the performers.

I learned all I have to do is sing the best music I know how and put on the best show I know how and just relax with it and people enjoy it.

Today audience wants relaxed or chilled out guys. Ayushmann Khurrana is working big time, everybody is working. Look at every actor today, there is no extra charisma off-screen.

I went to see 'Shine a Light,' and it was the most perfect thing I could have done to watch that man do what he does in front of an audience. It's primarily Mick Jagger, but they're all so confident and relaxed and in love with what they do, and aware of the power of what they do. It's just deeply, deeply attractive.

I just like to explore honest thoughts or feelings. How I'm feeling at the time. I want to explore it and talk about it and have a conversation with the audience. I want to throw something out there, see how they feel about it, and tell them how I feel about it. I know that's really relaxed, but that's the most fun.

After all those years in Asia, I don't have to do promotion anymore. We just release a Jackie Chan movie and - Boom! - people go.

You can't just release double albums and expect people to sit there and devote their time to it.