Quotes About Audience

I do me, and me is my hits. I'm out there really to satisfy the people.

'Singham' was one-and-a-half stars all over, and it was one of the biggest hits of my career. It gave me so much respect. People think if it's not critically acclaimed, you won't get respect. But that's not true. Even if you get one star, your film will do well if the audience wants to see it.

I serve up the hits, and I enjoy doing it.

I find that Bach is appealing to a lot of different audiences. It really hits people at their core in different ways, but it also creates a meditative space. I just feel like I can play it, and it reaches people.

I would hate to go out as a legend on tour just playing all the back hits.

I have enjoyed the films directed by Prabhu Deva and simply love his choreography. And he is the best dancer India has. I feel he knows what the audience wants, and that is why the films he has directed are hits.

I think any time anybody sees the bad guy show emotion and you're not hitting the audience over the head, there's always a tinge of empathy for that individual.

I am a woman, so I never want to hide that or be like, 'I'm one of the boys,' because I'm not. I am aware of our audience. We always aim for the right combo of not hitting people over head but still getting our message across.

Directing films is my passion and hobby and I'm blessed to have that as my profession and to be loved by the audience for it.

The audience is directly in front of you, behind you, beside you, above you. They're everywhere. And if that person's not looking at you, then that person over there is. So someone is always holding you accountable to being completely open and available in this immersive experience.

I'm not holding on to Mahadev. The audience is.

If you're playing in a room that holds 15,000 people, it's just a question of how bad the room acoustics are and in what way they're bad.

I don't think too much about the audience when I'm writing... I'm aware that 'Holes' was read by kids as young as 8, up to adults.

I've done stand-up at airport Holiday Inns and that's where you feel like you're doing comedy for people that hate it.

The Holy Grail audience are young people and, at the end of the day, that's who gets courted.

There are so few shows that are willing to take risks with their characters in the way that 'Homeland' does. And yet, the audience still comes back and loves those characters.

When you stop to realize that Abraham Lincoln was probably never seen by more than 400 people in a single evening, and that I can enter over 40 million homes in a single evening due to the power of television, you have to admit the situation is not normal.

But TV has changed completely. It's not until you come into people's homes that everyone says, 'You're a success now.'

I listen to the audience and try and bounce with them. All audiences are different. But they are all homo sapiens.

That's what I do in my stand-up. I work hard and hone the material and after a while audiences expect what I do to be good.

I genuinely don't know how many albums I'm going to sell when the new album comes out, because I honestly don't know how many fans I've actually got at the moment.

If you have capabilities then the audience will accept you with an open gate. The way you would show them your identity, they will accept you. But you should have the honesty to show your true identity.

Like with any good art form, if you can entertain people and make them think, it's an honor. It's just an honor to be a comedian.

I feel the life expectancy of a comedian is 30 seconds. If you don't hook an audience in half-a-minute, you're dead.