Quotes About Audience

Pick the Right Audience to Suck in Front Of

The blog post I point people to the most is called 'First, Ten,' and it is a simple theory of marketing that says: tell ten people, show ten people, share it with ten people; ten people who already trust you and already like you. If they don't tell anybody else, it's not that good and you should start over. If they do tell other people, you're on your way." TO

En el segundo en que empiezas a hacerlo para un público has perdido la partida,

Si intentas predecir lo que interesará [al público] y haces contorsiones para adaptarte a esas expectativas

Pero la audiencia no oirá eso. Sólo se quedará con lo que sintió cuando Megyn Kelly pronunció el nombre de esa persona [más] barbaridades sobre las mujeres.

PICK THE RIGHT AUDIENCE TO SUCK IN FRONT OF "If anybody is going to go out and pitch investors, my advice is to make your first 10 meetings with investors that you don't really want funding from, because you're probably going to suck in the beginning. I sucked for a really long time." TF:

marketing is about the prospect.

I think people like comedies and I think concept driven comedies seem to be working when it's a clear concept and you deliver funny stuff.

I don't consider myself to be incredibly confident, or really lacking in confidence. When you're on Jonathan Ross' or Graham Norton's show, inevitably there's something to sell. And there's a live audience; you're sat between Cameron Diaz and Tinie Tempah - I don't really see it as 'me.' It would be odd if it was.

The odd thing about comedy is that the more personal you are, the larger the audience.

Oddly I've been DJ-ing for many years, actually, but not many people know about it because if you go and DJ in a club and you've got 2000 people in there, then obviously about 2000 people know that you're a DJ.

My secret to comedy is don't offend anybody. Don't offend anybody ever. That's my secret.

It's easier not to make a particular joke in case it offends. But every joke will offend someone, and I've always believed that the audience is bigger than one person. The danger is that things will become bland.

With anything you put out there, you're going to offend somebody, but most people get that it's a joke, that I'm playing a character, and that I'm actually making fun of what I'm saying by saying it.

You're in front of an audience and thinking off the top of your head - you're going to say things that offend people sometimes. Sometimes I'll be driving home, and I'll be like, 'Oh, crap, I shouldn't have said that.'

We do appreciate that we have a very conservative audience and we do try to walk the fine line of that and not offend anybody.

I do think the audiences have a right to judge what they feel is offensive and not.

Some people can do things and get away with it. Comics are famously like that. Why is it that some guys can say the most horrible things and it's not offensive, it's funny?

I don't really see the point in offensive comedy.

The Fox News cable channel is doing very well because there is a market for what Fox News has to offer.

I did not make this a long film for its own sake. I wanted to make an entertaining film and offer it out there for those who want to see it. If word of mouth suggests there is an audience out there, hopefully their cinema will show it.

When you ask a bunch of people to see a film, and then invite them to comment on it and tell them it's a work-in-progress, they feel bound to offer an opinion.

What matters is the quality of your show. In my opinion, numbers will fluctuate but you need to be honest with what you are offering to your audience. There are shows that have super high numbers but then you can't even sit through those.

We live in an experience-hungry society with advanced event technology and broad social reach at our fingertips. These external factors offers an ideal environment for organizers to create a connection with a broader set of people and maximize each interaction with their audience.