Quotes About Audience

You can't keep going back to Detroit because you're big in Detroit. You can go maybe once a year and sell it out because everybody loves you and looks forward to seeing you again. You can't go back twice in the same year.

I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.

One of the things I find about acting is that the less the audience knows about the actor, the more they're able to believe in him in the role.

That's one thing the musicians don't remember: you don't choose your demographic - they choose you.

The beginning of the shows are different. One time we'll say 'Hello, Denver'. Another time we'll say 'Hello, Memphis'. It's always different.

I was in Iowa one time, and I kept trying to fire up the crowd, and I kept saying, 'How's Ohio doing?' For some reason, they just weren't coming around!

I wrestled in front of seven people one time.

I don't think anything connects with an audience as deeply as a long-form serialized drama, and much as I love television, I've always found a good ongoing comics series to be much more immersive.

When people are making the decision to put a piece of content online, they really do truly want to get it in front of the largest audience.

My goal is that we should have a rich engagement online that caters to a general and scholarly audience and that can provide a seamless experience for people, whether they are up the road or on the other side of the world.

I have hundreds and hundreds of people from Brazil, Chile, Columbia and Argentina, every day, buying my music and telling me about it online.

Online is another way for all of us to reach people.

Before Disney, I did other shows so I was aware of the business. They're all the same in that they're a professional environment. The only difference between a Disney show and other network shows are in the age of the actors you're working with and the age of the intended audience.

There's only one way to train, and that's being in the ring. And even in practice, it's not the same as performing in front of a crowd.

When I get a script, it's the only time that I get to be an audience member with the first-time experience of that movie. That's the first and only time.

I just looked preposterous. It would be 'King Lear' and I'd walk on with Cordelia's dead body in my arms and the audience would hoot with laughter. The only time they didn't laugh was when I was doing comedy.

I just want my music to involve an audience in what's taking place onscreen.

Being an emcee onstage is mostly about crowd control, about monitoring energy levels.

I love being onstage, I love getting applause, and I love the love that comes across the footlights. It's so much a part of what I do and what I've done most of my life.

I think sometimes comedians and entertainers and artists, sometimes they get onstage, and it's all for what they want to do. I think you still need to do stuff for the audience. They're the ones who are making it possible.

Just me onstage with a mike having an intimate relationship with the audience. I don't get nervous for that. I just get excited.

So much about getting onstage is creating a connection with an audience that allows you to go different places and try different things.

I don't really move onstage; all I do is just gradually hunch more and more and jut out at the people in the front row.

I mean, you still can't jump offstage and go read a book. But I'm getting better at it. It is something you can manage. You can still give everything you have to the audience onstage, and have something for yourself.