Quotes About Audience

I wish I could create an IMAX film that would make my work accessible to a broader audience.

There are many comedians who are afraid to work outside the coasts and the casinos because they're afraid they'll bomb.

I've always loved [Elsa Dorfman] work. I've loved her and her work is so much an expression of her. One of the reasons to make the film is to expose Elsa, hopefully, to a wider audience.

I think violence in movies, for it to work, you have to use it smartly. People get numb very fast. If you have too much violence in the beginning, it gets to a point where you don't feel it.

That's the holy grail as a TV writer, to work on a story that you care about and to put it out there and for it to find the audience and connect with fans and connect with critics.

By and large, serious fiction was the work of victims who portrayed victims for an audience of victims who, it was oddly assumed, would want to see their lives realistically portrayed.

As a filmmaker, you want your work seen by the widest audience possible.

There's always the question when you're making a documentary if the talking heads will work.

I can deal with people who watch me on stage but I am not good in communicating with people any other way than through my work.

I'm not a popular actor. I don't necessarily want to be famous. I want to be known for great work. I want to be known to surprise audiences.

The problem with trying to make a film good and have it work for an audience is the problem of trying to tell a story well. The shape or the color of it doesn't matter.

There are people out there who pay their hard earned money to see a good show and people who work 9 to 5 and they saved their money and they want to see the best show possible.

I don't like talking about sequels or spinoffs or franchise until they actually happen, until they actually work with the audience.

Part of the discipline of being an editor is that you have to be a good audience member; your work is to be a surrogate audience member on the films you are working on.

You never know what people are going to respond to or want in your work, and you just hope for the best when you design a collection, and try to make it as well-rounded as you can.

After each performance of an Austin Shakespeare production, audiences are invited to stay for a ten-minute discussion of the work. And this tradition continues in our New York run.

I think a successful adaptation rises or falls on the work presented. If people need to read the book to understand the play, I didn't complete the job.

I have always thought it was important to maintain some connection for myself to what it takes to make a song work by myself, to put a song across to an audience by myself.

CNN's problem goes to its very core and to the identity it's sought ever since the rise of Fox News, on its right: CNN is the channel for people who don't want to watch the other channels! That's a stupid strategy.

Part of having a social media strategy is being smart about whom you follow. Ask yourself who is important to your company or brand. Figure out who needs to know you exist.

My strategy isn't just to get the biggest audience; it's to get a loyal audience.

China's propaganda approach with the West is different than the one used by the Soviet Union, which used Western belligerence to maintain its control over its domestic audience. China's strategy is one of influence and inertia.

If I can hear the music then no, I don't hit a wrong note. But if I can't hear the music because the audience is screaming or the sound system is bad, then I'm subject to stray.

This is how people are going to listen to music now - streaming. So diversify as a band. It doesn't mean selling your songs to adverts.