Quotes About Audience

The idea of a streaming service, like Netflix for music, I'm not totally against it. It's just we won't put all of our music on it until there are enough subscribers for it to make sense.

Even in the off season, people are streaming the show or buying the DVD sets, and new audience comes to 'Leverage' every year we've been doing it.

In 2018, streaming companies know with precision how many people are listening to what song.

We make movies to be watched in theatres. Online streaming is more of a bonus, to revisit the film.

My musician friends could always practice what they loved doing, but I can't go on a street corner and start reciting a monologue. Acting is very collaborative, and you always need other people with you - mainly an audience.

I feel that if you can play on the streets or in a comedy club, then in a theatre it's a doddle because you've got an audience.

I don't really know what a debut album is no more. As long as you got music on the streets, you've debuted.

With a book, you're guaranteed the audience has a certain skill level and that the audience has to make an ongoing effort to consume this product and that the project is being consumed by just one person at a time. I really want to play to that strength because it's one of the few advantages books still have.

'StrengthsFinder 2.0' is an effort to get the core message and language out to a much broader audience. We had no idea how well received the first strengths book would be by general readers - it was oriented more toward managers - or that the energy and excitement would continue to grow.

TRP ratings affect me. There are times when the ratings are so low that we feel that we could have done something more. But that is about it. I don't stress over it too much.

Stand up is the most stressful, and hosting and presenting a show has its own stresses, because you've got an audience which you've got to entertain as well as an audience at home.

I would not want to do one-episode television - that's just a brief encounter with your audience. The arc takes the actor into an arena where he can really stretch.

And there's a lot of that stuff with people bringing their kids, kids bringing their parents, people bringing their grandparents - I mean, it's gotten to be really stretched out now. It was never my intention to say, this is the demographics of our audience.

Now there was no wonder in the Statue of Liberty illusion because he, Copperfield, attempted to do something so large that it stretched the credibility of the audience to the point where most people didn't believe any of it anymore.

I never try to pander to an audience, and I'm really not concerned with my image. I'm far more interested in stretching my abilities as an actor.

In music, the punctuation is absolutely strict, the bars and rests are absolutely defined. But our punctuation cannot be quite strict, because we have to relate it to the audience. In other words we are continually changing the score.

I think a lot of people are getting bored of audition-based shows, along the lines of 'Strictly Come Dancing' or 'The X-Factor'. I know I am. But 'Dragons' Den' will have a longer shelf-life than all of them because it's fundamentally real in a way that other shows aren't.

I think with 'Strictly,' people don't want you to do badly. They're willing you to do well.

We want our audience to enjoy themselves, we want every gig to feel like an event - of course there are musical elements of rave to our sound, but we wouldn't strictly classify ourselves as that.

The first year I was on 'Les Mis' there was strictly no filming backstage, then slowly social media proved invaluable to building an audience.

It makes me even happier that as a team, T-Series is taking rapid strides at making Indian entertainment available to the global audience.

The producers and I felt that 'Kanchana 2' would be the apt title when compared to 'Muni 3.' Because, it goes with the prequel and will immediately strike a chord with the audience.

Even Hitchcock liked to think of himself as a puppeteer who was manipulating the strings of his audience and making them jump. He liked to think he had that kind of control.

We'll go out and we'll be playing in front of 15,000 people and say, 'Hey, we're going to do three new songs from something we just recorded' and 5,000 people get up and go get a hot dog and a beer and they don't come back until they hear the opening strings of 'The Joker' or 'Fly Like an Eagle.'