Quotes About Audience

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Writers who have any audience have more readers than they know. Juan Diego was more famous than he thought.

I thought that fanatics would always have an audience; all one might hope to influence was the size of the audience.

Those of you in the cheaper seats can clap your hands, and those of you in the balcony can just rattle your jewelry.

Much as a teacher may wince at the thought, he is also an entertainer—for unless he can hold his audience, he cannot really instruct or edify them.

Claude Hopkins.. maintained that nobody with a college education could write an advertisement addressed to the mass millions. That's absolute poppycock.

I discovered that night (in his college's student politics) that an audience has a feel to it, and, in the parlance of the theater, that audience and I were together.

I quickly learned, however, that a university education is not a prerequisite to reading Shakespeare. After all, his original audience was not college-educated. Neither was he.

A film with an untidy plot cannot grip the audience and define their emotional response.

To me, it's never about the trick. I don't care about how something works. I care about how people feel when they watch it. You know, that - that connection - that emotional connection is true magic.

Anytime in radio that you can reach somebody on an emotional level, you're really connecting.

There's nothing more emotional than looking out at an audience and knowing they're there because they understand.

Personal stories are the emotional glue that connects your audience to your message.

Being in front of all these people staring at you and it helps you to dig down and become more emotional and get lost in it as you're feeding on people's energy.

The fact is that great musical pieces take and hold the stage because they provide great emotional experiences.

The one thing you can do that the audience can't do - all those smart people online in the chat rooms can't do - is deliver a satisfying emotional journey for a human being, for a character.

If I'm able to catch the screening, there's a point in the film where, like clockwork, a portion of the audience gets really emotional and begins to cry. And that's very difficult to make happen.

If you're doing a musical, you should be out to give the audience something special, emotional, an uplifting feeling, something that stays with them.

The more melodies and chord changes, the less good it is for the clubs, but the better it is for radio, because it makes it really emotional.

All you owe the public is a good performance.

For me, clothes mean self-expression. You need to have an audience and connect with people. Fashion is shared. It connects people. And we share an experience beyond the clothes.

I think theatres will always remain a sacred place where people go for something live and experience things live, which is very different than the experience of film.

People get passionate about a song. It's been my experience if you put out radio candy, something commercial, it doesn't sell records.

In those days a concert was a personal experience. I wanted to be as close as possible to the audience and of course big stadiums didn't enable you to do that. It wasn't my style.