Quotes About Audience

When you're in a play, you never really have a sense of what an audience is experiencing. The experience of doing a play is so different from the experience of seeing it.

That's a lovely experience when you make an audience laugh. Then the nerves go away for a bit. And sometimes you do things then that you've never done before that are really funny.

Working in the studio is a more personal experience whereas on stage in front of a billion people, its more exciting performing live.

Over the course of a day, you get to get a feel for where you're playing, so when you get out on stage, you already feel like you've had a bit of a bonding experience with them.

My experience tells me that any time you hear people laughing on a sitcom, it's the writers who happen to be closest to the microphones - not the audience.

Songs come alive every night and can be a new experience for someone. You might have someone in the audience who has never seen us before and hearing it for the first time. We are aware of that.

It's not bad to stand in front of 20,000 people and sing. It's nerve-racking, a huge adrenaline rush, but it's also very exciting, and not many people get to experience that. It's pretty special.

I prefer to think of the audience as a single living organism with which I am sharing a singular, never-to-be-repeated experience.

An effective speaker knows that the success or failure of his talk is not for him to decide - it will be decided in the minds and hearts of his hearers.

That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.

I think that films about faith made for faith-based communities have a certain tactic.

That awkward moment when you can do something alone, but you can't in front of people!

If people criticize you, hurt you or shout at you, don't bother! Just remember, in every game audience make the noise, not the players.

The problem is, of course, that art typically requires an audience, which loops us right back to the problem of observing actions and losing ourselves in consideration of their imagined form.

The reparative turn, as applied to art, is in many ways a continuation of the orthopedic aesthetic, with the difference being that the twentieth-century model imagined the audience as numb, constricted, and in need of being awakened and freed (hence, an aesthetics of shock), whereas the twenty-first-century model presumes the audience to be damaged, in need of healing, aid, and protection (hence, an aesthetics of care).

When I find the road narrow, and can see no other way of teaching a well-established truth except by pleasing one intelligent man and displeasing ten thousand fools—I prefer to address myself to the one man.

I was just doing my job in the ring and doing my best to make people happy.

Traditional horizontal search engines cannot always identify the target audience, niche or vertical industry of a page or site. Vertical search engines address this issue by the nature of their design. They identify sites according to more specific criteria and sometimes even by human input.

Traditionally, artists suffered for their art, now it's the audience.

Composers were warned not to strain the attention of their audience, as though we had not at our disposal different degrees of attention, among which it rests precisely with the artist himself to arouse the highest. For those who yawn with boredom after ten lines of a mediocre article have journeyed year after year to Bayreuth to listen to the Ring .

It was the quartets of Beethoven (numbers 12,13,14, and 15) which over fifty years, created and expanded the the audience of listeners to the quartets of Beethoven, thus achieving, as all masterpieces do, progress if not in the quality of artists, at least in the company of minds, which is largely composed these days of what was missing when the work appeared: people capable of liking it.

Majestic though in ruin: sage he stood With Atlantean shoulders fit to bear The weight of mightiest Monarchies his look Drew audience and attention still as Night Or Summers Noon-tide air while thus he spake.

We have to stop marketing to people the way we hate to be marketed to.

Spelling is a pain in the neck. I do my best with it, but I figger if a guy has tremendous gifts as a writer, his audience will forgive a few slip-ups in the spelling department.