Quotes About Commercial

I respect the rules of TV, the rules of keeping things commercial and interesting and pop-y and fun.

I got my SAG card doing a Kentucky Fried Chicken commercial in Chicago.

I cry at Kodak commercials.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

I had to fight the intellectual label when I started in television, because, first of all, it's not going to help you commercially, and also, it wasn't particularly true of me. I mean, if anybody thought I was an intellectual, they probably had never really seen one.

I dislike labels like 'commercial' and 'non commercial.'

As already noted, the Poultry Products Inspection Regulations of the U.S. Department of Agriculture only states, "Poultry shall be slaughtered in accordance with good commercial practices in a manner that will result in thorough bleeding of the carcasses and assure that breathing has stopped prior to scalding.

And that's just what this feels like, a bad scene from a third-rate soap. I half expect to hear the ominous, minor chord before we cut away to a detergent commercial.

So they demonstrate in the streets in protest, they riot in the commercial sections of town so they can steal goods from stores, and they throng to the banner of politicians who promise to restore or increase their benefits.

There are invariably many ways to achieve roughly the same technical ends. Technical choices are often highly personal. While shaped by commercial considerations, technical decisions also reflect human values and psychology. Cutler

Graph of your relationship follows the graph of your wealth in this total commercial world.

I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.

The prospect of refreshment at the charges of another is an opportunity never to be neglected by men of clear commercial judgment.

The [commercial] strip is marketed with the come-on of comfort (the Comfort Inn) and with the promise of a home on the road, a home where nobody knows your name and they're glad to see you as long as you can pay. The strip lives in the contradiction of the name Home Depot—domesticity on a gargantuan scale. Home—a person's native place, at ease, deep; to the heart, says the dictionary, and Depot, a storehouse or a 'warehouse.' (Warehouse of the Heart?)

Because of the headwaiter mentality that prevails among customs officials, no commercial shipper of marijuana or anything else illegal would make the mistake of using Hell's Angels for runners. It would be like sending a car up to the border with "Opium Express" painted in red letters on both sides.

All of us have read the stories about young people in Hollywood and all the challenges they have to confront there, and I think that artistically, I really didn't understand the commercial side of the film business, so I went back to a purely artistic setting.

I think my films kind of walk this line that I'm proud of, that they feel sort of like films of my youth, which were far more commercial.

YouTube videos, they're more personal and more real than a commercial on TV.

YouTube was really good for building a kind of core, loyal fanbase. I didn't want to be a YouTube artist as such. I mean, there are people who are able to release albums and live off YouTube, but I felt - and not in an arrogant way - that I could be commercial and credible if I really put my mind to it.

New Zealand was such a weird place in the 1980s. For instance, we used to have this commercial in the late 1970s where this guy drives this car and stops outside a corner store. He goes in to buy something, and when he comes out, his car is gone. He's like, 'Huh?' Then a voice says, 'Don't leave your keys in the car.'

I tried to oppose the academic to the marketplace.

I produce the records. I don't hand over control to some really expensive producer who then talks to the record company and then tries to bend me to their will - for commercial purposes.

I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music.

For me, 'Bookends' marks the start of my foray into commercial fiction, away from what has always been thought of as more traditional chick lit - single girl in the city trips around in Manolos looking for Mr. Right.