Quotes About Commercial

It's appealing to me to get to be in a commercial film without feeling like I sold out.

Before the Polaroid commercials, my image was that of a solid actress, a theater actress who could do anything. But the Polaroid commercials were high comedy... Through them I was finally noticed as a comedian.

It hasn't always been easy, but you get to a point where you're not doing the solo stuff with any kind of expectation in terms of commercial or a business outcome, you're doing it because you believe in this.

I think architects have a major role in being responsible for illustrating what the future could be. Because of the very strong political and commercial climate, many architects are trying very hard to solve everyday issues, to respond to the authorities.

I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.

If NASA is to reach beyond the Moon and someday reach Mars, it must be relieved of the burden of launching people and cargo to low earth orbit. To do that, we must invest more in commercial spaceflight.

When you work on big commercial movies, of course there's more money involved and you can still do some good work. But with an independent, you get films that are really close to the writers' and directors' heart. Somehow it becomes a little deeper. A little more meat and not as much flash.

Trump was clearly betting that being president would drive up the price. But what if he is proven wrong? What if he starts losing commercial renters because they are coming under pressure for their association with his brand (several boycott campaigns like this are already under way)?

In 1814 the breeders founded an organization, the title of which was—deep breath—"The Association of Friends, Experts and Supporters of Sheep Breeding for the achievement of a more rapid and more thoroughgoing advancement of this branch of the economy and the manufacturing and commercial aspects of the wool industry that is based upon it." Those who didn't want to lose too much oxygen uttering the full name simply called it the Sheep Breeders' Society.

In commercial art - and all art that is worthy of the name is commercial sooner or later - stupidity is almost always in the eye of the beholder.

You either have commercial pressure or ideological pressure. I prefer commercial pressure; otherwise, you can be at the mercy of one or two idiots.

I drank a lot of milk as a kid so maybe I can get on a 'Got Milk?' commercial at some point.

I enjoyed doing 'Space Jam' and maybe I'll do a milk commercial some day, but I'm not into that stuff.

Denmark is a small nation of five million people, but our economy is completely dependent on our commercial fleet. Every family has some connection to it.

I've been told a million times that I should do a Pantene ProV commercial because my hair is really shiny and long and healthy and I have a lot of it.

At first, I didn't want to do unicorns. The artist in me said no. Then I thought, 'Wait a minute: this is commercial art. Let's do what's going to sell.'

The curious double strands in Farfrae's thread of life - the commercial and the romantic - were very distinct at times. Like the colours in a variegated cord those contrasts could be seen intertwisted, yet not mingling.

France had the intellectual foundations for modern industry without the commercial and financial complements.

The commercial break before Final Jeopardy is usually the only time that the show stops tape. You're given as long as you want to do the math required to make your wager.

Actually this book is built on a rather fragile premise: that good code matters. I have seen too much ugly code make too much money to believe that quality of code is either necessary or sufficient for commercial success or widespread use.

The future is about wings and wheels and new forms of space transportation, along with our deep-space ambition to set foot on another world in our solar system: Mars. I firmly believe we will establish permanence on that planet. And in reaching for that goal, we can cultivate commercial development of the moon, the asteroid belt, the Red Planet itself and beyond.

A drove of mules the size of ants appeared in silhouette on a ridgetop path, moving at a star's pace. The mules were driven by human intelligence and commercial interests, expertise in breeding and bloodlines. Everything was human; the farthest wilderness was steeped with sociability.

Advertising ministers to the spiritual side of trade. It is great power that has been entrusted to your keeping which charges you with the high responsibility of inspiring and ennobling the commercial world. It is all part of the greater work of the regeneration and redemption of mankind.

It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.