Quotes About Set

I used Vamps as a casting couch! I pretty much did, because I was casting 'L!fe Happens' while I was on the set of Vamps, and anybody I had ever worked with, I asked to be in this movie.

I think the most fun part about working on 'Good Luck Charlie' is spending time with everyone, honestly, because everybody on set is like my brother and sister and mom and dad. They're so fun to be around, so that's probably the best part about working there.

It was very much about performances, the whole ensemble thing was just great - everybody working together. Sometimes it didn't feel like a film set. It wasn't technically driven, it was very, very enjoyable.

I love writing books, but it's a solitary experience. When I'm on a film set, I'm with a bunch of other artists working together to make one thing.

I actually gained a lot of weight when I started to do 'Grey's Anatomy.' Doing eight theater shows a week, girl, is such a workout. But with TV, you're, like, sitting in your trailer waiting to go to the set. And there's catering and craft service every place you look.

When you hear people demanding that the Ten Commandments be displayed in courtrooms and schoolrooms, always be sure to ask which set. It works every time.

Having sport allowed me to forget about the ups and downs of my condition and think about a set goal, which was to become a Paralympic champion, to become a world champion.

If I spent all my time criticising myself, I wouldn't be able to function. There are actors who theorise till the cows come home. I haven't the patience for them. It's maybe shallow, but that's why I'll never be part of the acting set.

I remember one day, Ekta Kapoor came to the set and scolded me that you don't know how to act, why did we cast you'? She asked me to stay on the set till I learnt the technique of correct dialogue delivery. At that time I felt very humiliated.

'The 25th Hour' came out of the decision - a really very conscious decision - that I needed a story set within a compressed time frame because that would help focus the story.

I loved 'Rain' and its take on the Beatles. The way they used a timeline and news reel to create a mood, and crafted set changes throughout, it was stunning.

I believe that the organisers of this conference have chosen a very timely subject for our discussion - because the 21st century will confront us with an entirely new set of challenges.

'Good Times' was with a live audience, three camera, and that was really intimidating. Because there were people on both sides, moving from set to set, and it was pretty scary. As I say, I didn't have a foundation in Hollywood. I hardly knew anybody. Just at the social level. I felt pretty isolated here, I really did.

As long as you are set and in the right position, you give yourself the best opportunity. It's all about the crucial timing of a save, but it's also being in the right position at the right time.

You learn timing on the road. You learn structure and how to read an audience. You learn so much about the business of laughter that you can't learn on a set, because it's all on you. Sometimes you bomb, and you know not to tell that joke again... You just hope people find the humor in the awkwardness.

Often, when you're on a movie set, you're miserable. It's cold. You're hungry. You're tired. It's still dark out. And yet, there's no place I'd rather be. It's the happiest I am, and the most calm.

I was never a comic book guy. I like the movies when I see them, especially the origin stories. I never felt like I could be on the set, at 3 o'clock in the morning, tired, with 10 important decisions to make, and know, intuitively, what the story needs. For me, I'd be copycatting and not inventing. I've never said yes to one.

When I think about my great conversations with Marlon Brando on the set of 'Morituri,' I think there's a story there, just as I do with my experience working with James Cameron on 'Titanic.' And then there are all my years on 'Y&R' and all that has happened there.

I sometimes say I am the extinguished professor, because what I'd really like to be is the postdoc, to have that kind of thinking. I think one can get very set in his ways with titles like 'distinguished professor.'

To be honest, whenever I go to shoots, or I'm on set, it really makes makeup special and allows me to have so much more fun with it - I don't wear it on an everyday basis, because I like my skin to breathe.

I have become limitless and stronger. You don't need that attitude to survive in Bollywood, but when you are doing a film like 'Raaz,' you can't go on set with inhibitions.

Despite their difference, because of their differences, they were a perfect mismatched set. Two sides of the same tarnished penny.

For some it is tempting to use only set prayers, while for others it is almost a solemn requirement to use only spontaneous prayers. We need both,

management is seen as a support role. The company stays as flat as possible for this reason. Schneider described his philosophy in this way: 1. Hire great people. 2. Set good priorities. 3. Remove distractions. 4. Stay out of the way.