Quotes About Set

When you call an object's method, this is set to the object whose method was called. If the method is not found in that object, and is found in the prototype, that doesn't change the value of this. this always refers to the original object — that is, the object whose method was called — even if the method is in the prototype. So

You know, you grow up with the image of John Travolta being super cool - 'Saturday Night Fever ' Brian De Palma, handsome young god... he, in reality, is a very silly man. And I mean that in a good way. He'll walk around the set talking in little weird voices, making people laugh.

that shows the flow of requests between objects. interface The set of all signatures defined by an object's operations. The interface describes the set of requests to which an object can respond. metaclass Classes are objects in

At some point in my life, I swallowed a Sun. And now it dawns and sets in my belly.

You mean she's fallen in love with a cat who lives by a different set of rules?

Doctrine is nothing but the skin of truth set up and stuffed.

hyphen) is a special metacharacter because it is only a metacharacter when used between [ and ]. Outside of a set, –

Being a leading man on a film set under the direction of somebody like Dickie Attenborough is very empowering, and you have to be extremely careful how you use that power.

I believe if the atmosphere on the set is positive, it definitely reflects on the screen. Your work becomes easy if the environment on the set is healthy and positive.

Over the years, quite a few TV producers proposed that I do a program, but I refused. I didn't want to work on a set that looked like a theater; I wanted a kitchen of the sort every chef dreams about.

When I came to industry, theatre persons were regarded as those people who will only ask questions and will be an annoying factor on the set, and there was no preference given to them.

The government seems to be set on bankrupting Proton and selling it off, because I think it is regarded as my baby.

Somebody told me about a band that works out their whole set as if it was one song. They learn the whole set as one piece, so they know how the dynamics of it work. It's really difficult to do, and you can only really do it while you're on tour, as being in a rehearsal studio is not the same as being on stage in front of an audience.

When I go on the set, I'm so rushed. When I see the actors at rehearsal, when I love it, I want to keep the mood - my mood and the actors' mood also. So I have to push the crew faster. I don't want to lose the mood.

I started doing the big Hollywood stuff, and I realised, 'Oh, there's no rehearsal at all; you just turn up on the set, and sometimes you haven't even met the other actor, or the woman who's playing your wife, and you're suddenly in bed with them.'

Sometimes films have no rehearsals - you don't have real rehearsals on the set because the day is so dominated by the schedule.

Definitely as an actor, the experience you have, at least I'm talking for me, my experience as an actor is you go to the set and know what you're going to do, know your lines, you rehearse, you do your scene, you go back home. As a producer, for the first time I saw the whole picture in a completely different way.

A lot of the time with an independent production, you go onto the set, and you rehearse it in front of the crew, and at that point, the cinematographer takes over. You start accommodating the camera instead of the camera accommodating you.

When we're on set, we kind of joke around, and when we're rehearsing, we change up the scenes and make each other laugh. We lighten up the mood. The blooper reel is going to be amazing on 'New Moon.'

With 'Nobody Knows,' I consciously set out to make a fiction film, which is a different approach from 'Distance,' but I still applied a lot of the things I learned from making 'Distance': for example, how to use the camera in relation to the children and how to create the right atmosphere on set.

Some days are more intense and quiet, and then other days, you feel more relaxed and are able to open up on set. It just depends on what you're doing that day. I like to imagine that all the choices you make during the day that you're doing a particular scene are going to feed into the creation of that scene.

Mostly, I am waiting. Got to finish the edit, I am waiting. Dubbing must get over, I am waiting. Waiting for shoot. Waiting for the set. When you are waiting, your mind isn't relaxed enough to watch a film.

I found that photography was a great way of relaxing on the set.

Kabir Khan is a director who goes out of his way to make his actors comfortable. He's very chilled out. He makes the environment on set very casual and friendly.