Quotes About Viewers

Inside Out brutally dismantles this myth. It adopts the latest neurobiological view of humans and takes viewers on a journey into Riley's brain only to discover that she has no authentic self and that she never makes any free choices.

I'm a comedian, for God's sake. Viewers shouldn't trust me. And you know what? They're hip enough to know they shouldn't trust me. I'm just doing stand-up comedy.

I don't think the audience for film or TV is different. I think they are the same people who go out on weekends.

When I'm on television, I think that I appeal to the everyday guy, 'cause that's who I am. The guys who go to the football games on the weekends are my viewers, for sure.

I've been missing playing Pragya ever since I started shooting as Munni. I hope viewers will be happy to see their favourite character Pragya back on 'Kumkum Bhagya' and will welcome me back with the same love they have been showering all this time.

They watch the Premier League everywhere in Africa.

If people are going to watch TV, let's give them something coherent with actual dialogue.

Every four or five films we've made a film that has gone on TV first. It's quite nice to tap into the TV audience, but it is nice to see it on the big screen too.

There are different audiences out there, and everyone has different tastes of what they want. And it's a good thing because otherwise, there wouldn't be enough stuff to go around.

Regrettably, people today don't watch many programs that actually teach people how to cook, so I agreed to do a competitive show that I think will provide inspiration.

I love morning television because it's the most vulnerable time of day, when you are at your rawest, and if I have the ability to make viewers smile, that's a gift from God.

I don't make movies because I think audiences will want to go see them.

Men don't care what's on TV. They only care what else is on TV.

The TV birth of Little Ricky was watched by an incredible 44 million viewers—15 million more than would tune in President Eisenhower's inauguration the next day on all three networks.

In the case of the movie High Noon, it is obvious that the viewers are not held by their intrinsic interest in the history of the American frontier, in law enforcement, or in noon trains.

If your character is just out there acting a fool, viewers are gonna say, 'Why am I watching this?' But if he's whispering, 'I don't really want to die,' there's a level of vulnerability cemented in these bad characters.

The people that watch or buy music or listen to TV, I don't think they separate the two as much as the people that are in charge of the production of it.

Sometimes critics disagree with the audience, and that's fine. I make movies for the audience. I guess I hope that the critics like it, but on the other hand, I just really want the audience to like it.

We want eyeballs on the screen.

The public should want to see a movie and it should entertain them. If it fails to do so, it is not good cinema.

Many people dismiss morning television as fluff, but the morning hours are where the money is.

Television audiences are ruthless - look what happened to 'The Killing.'

Television lets audiences deeply connect with characters.

Generally, I am losing faith in telly, as we do have good dramas but not as many as there should be.