Quotes About Viewers

I always wanted to get on the telly. Then see when I did, and there was talk about doing more online, Comedy Labs or iPlayer, I was: 'Naw, naw, naw, I want to be On The Telly that sits in the living room and folk watch it together.

Starting to think about the viewers "out there" as different from the people inside the show was one of the early signs of how far Saturday Night had begun to stray from its original identification with its audience.

Technology has changed, and we need to figure out how to improve the archaic way of what makes a hit, or how to determine how many viewers are watching beyond some people with Nielsen boxes in a small percentage of homes in random areas.

Have I ever presented a programme I don't watch? Well, I've done loads of programmes that no one else watched!

I think there are always going to be people who say, even if they are engaged in the movie, they just want it to move faster.

When we're filming, I sometimes look into the camera and wonder who's out there, who will be watching.

I think filmmakers want their movies to be seen.

I think finales are always so hit or miss because they're so personal. When you do a finale, it's always up to the person watching it.

I tend to think that the whole concept of, 'I saw this TV show, and someone was wearing this sweater, and now I'm going to buy that,' it's something that's been talked about for a long time, but I've never really seen it work. When people are watching an entertainment show, they want to be entertained.

'ABCD - AnyBody Can Dance' and 'ABCD 2' has succeeded not merely because of dance, but mainly because of its good script. Viewers have loved the story, and that's why my movies have done well at the box office.

It's healthy to have two car shows. Why not? The viewer gets twice as much car show to watch.

TV is a medium with a wide reach and viewers consider actors role models. Hence, one must realize the responsibility of portraying a certain character.

The history of art is not just the history of artists; it is also the history of the people who viewed art. And that wider perspective can help us see some of the reasons why the art of the ancient world should still matter to us.

TV is still a 'push' medium - we are broadcasting into any home or business with basic cable, and depending on what's happening in the world, we have a wider audience, from news junkies to very sporadic viewers. On TV, you want your reporting to be valuable to that entire audience and be relevant.

I didn't even think demographics until I got to ABC. They were the first to go for 18-to-49. But, at CBS, it was just, 'Let's get 'em in the tent.'

I like test screenings. I like to see a movie with an audience of strangers. I think it tells you a lot.

The people, the fans, the pundits, the people who watch on TV, they are the judges.

I wanted to do a wildlife series. I kept remembering those days in Algonquin Park, drifting along in the bottom of a canoe, and I wanted to transfer that feeling to the viewers.

I tell my staff, we're riding a tour bus around, and we're going to stop and look at some weird stuff - but we're taking our viewers around safely. They're just looking out the window at it. I'm trying to create a sense of comfort for my center audience.

In 'Njan Prakashan,' we set aside conventional definitions of a hero. Fahadh Faasil does not play a protagonist who wins all the time and you can see the character flee during fights. Such a hero is a rarity and the viewers could easily identify with him.

Thank you to anyone who's ever watched or supported 'TCGS.' Even if you checked it out once, hated it, and never checked it out again - thank you for giving us a chance.

That's one of the great things about DVD: In addition to reaching people who didn't catch the movie in theaters, you get to have this interaction of sorts.

In Pakistan, our medium is the small screen. We don't make many films, and hardly have theaters. A majority of people seek entertainment while sitting at home and TV gives it to them, so we excel on that part.

that "television advertisements would be most effective if the visual display created repetitive vertical movement of the television viewers' heads