Quotes About Producers

An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'

There are lots of good producers out there.

The producers and writers of dance music are becoming the stars, not so much the DJs.

I just think a lot of people don't give credit to EDM producers or DJs. People think they're just button pushers and just get on stage and don't really perform.

The producers of 'Mad Men,' you know, think I hate their show, which is true.

It is economically irrational to exclude large environmental costs from the balance sheets of the producers and the consumers. You are only kidding yourself if you export those costs on to society as a whole.

Most of the producers don't know what they do. The misconception of the producers' function is really not a misconception. Most producers don't do a very good job.

Engineering producers who don't play and have technology as a background may be the reason why there's a lot of cold non-musical music, for lack of a better description.

We're going to see a lot of companies that have been portals of entertainment become producers.

I believe there is no other way to create decent livelihoods for the world's poorest people than to connect them to global markets as producers, and on fair terms.

The early 1990s was a time of great advancements in precooked bacon technology. Pork producers, food labs, and agricultural schools such as Iowa State University began investing substantially in precooked R&D.

There's a constant dialogue going back and forth between the filmmakers and the producers.

As an actor, you're in the hands of producers and directors. It's important to find out who you're working with.

I get to go to so many different countries and hear so much music and collect totally different records. It's all very inspiring, and I'm trying to embrace that experience because not that many producers get to have that.

Some of the closest friends you make in TV are the producers who travel on field assignments with you - you're together 24/7.

I could never work in that kind of commercial environment where the stars have a lot to say, where the producers kind of push you around and tell you who to cast and who not to cast. I'm just not interested in that at all.

As a director, I've wanted to have adventure in my life, creative adventure. I think it's partly because I grew up, basically from age six to 26, mostly on television series where the producers find something that works and then do it over and over and over again.

In most cases, I think most executive producers and studio executives really do their best to accommodate you. At least, that's been my experience in most cases.

The two Hindi movies that I did were not marketed well, and so not many people came to watch the film, hence the audience doesn't know much about me. I am a newcomer, and I cannot sell a film on my own. There has to be a backing in terms of producers.

Friends of mine were the creators and executive producers of 'Damages,' people I knew from graduate school.

The phenomenon that is 'Game Of Thrones' has propelled many actors associated with it into the minds of directors and producers, and it's a fabulous position to be in. It's because it's so adored and respected, of such high quality with such amazing cinematography.

The idea that American producers and directors are choosing black British talent to save themselves a buck or two is ridiculous - it's because we're damn good.

I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship.

I worked in feature film casting right out of college and spent a lot of time working with actors, directors, and producers.