Quotes About Producers

Every time a film comes together, usually the studio executives come up for a day to the set. If you're out of town, they'll fly in or wherever you are - the cast, the director, the producers - all get together and have a big dinner and celebrate the fact that we're about to start shooting.

A franchise gives a sense of security to everyone - the director, producers, exhibitors, and even the audience feels that they are watching something close to the first part.

There are so many directors who don't like any kind of interaction on set except for producers. I am the opposite.

If not for the producers' conviction in me, I wouldn't have had the faith to pull off 'Prince.'

I'd love to be in the Bollywood movies. The producers here can call me - collect! I'm a Punjab da munda.

Most states, for all their rhetoric in favour of free trade, are adept at trying to manipulate markets to protect and advantage their own producers.

Sometimes you have producers tell you 'I'm a huge fan, I'm a huge fan.' But David Guggenheim, I have so much love for this dude.

For me, always, the big inspiration really comes from talking with my creators, my showrunners and my producers, and seeing what is their vision for their project.

All producers and directors want to make good films.

I have never, ever argued about money with any of my producers because that is the kind of relationship and understanding I have with them.

I am not saying 'Dum' flopped only because of piracy. But the money which went to the offenders could have gone to the producers of the film.

The Broadway community means the world. That goes for the actors, that goes for the crew, the producers, the writers, and most importantly, that goes for the fans. The Broadway community is one that I will always hold very near and very dear to me.

Raze' is a horror/action film and they asked me to get involved when it was just in the developmental stage - they also brought be on board as one of the producers and that is really what drew me to it.

It was an honour to be asked to do 'The Gift.' The producers took a risk asking me because, coming from a comedy background, I am not known for this kind of highly-charged, emotional show.

There are producers, like the late Geoffrey Perkins, who have truly great ideas that will fire up your synapses and show you that handing in your first draft is not the end of a horrible process, but the beginning of a beautiful one.

As a kid, I was trying to copy what I heard. Namely, I was just listening to producers I looked up to, like 45 King and Marley Marl, and trying to do what they were doing.

My producers and directors are pampering me like crazy. I don't mind being pregnant forever.

Ever since I started, I think Bollywood has gone through a lot of changes. Film producers now want to experiment with their movie's music and that's why you see many of them working with independent musicians.

Writing was something that came easily to me and there's so many great producers who just teach you so much.

I had to beg to get out of my contract with Capitol. They wanted me to work with big producers. I wanted to produce my music, and they weren't having that. I'm sure they were happy to let me go. I just didn't want to do what they wanted me to do.

Every single discussion I have with a first AD, or producers, is time of day. I can't begin to tell you how many times I've fought for early-morning calls. The light is 90 percent of our job; we as humans respond to light and where it is at different times of day and not only in positive ways.

Some producers hang-on to that old cliche that if the audience hears the music, it is no good. I say this is so much talk. Music gives the film another dimension, if it's done with the story in mind.

So many American and international producers want to shoot in the U.K. because of our crew base and tax incentives.

I don't usually collab with producers, because I don't need to. I never have, because I don't want to break my style of how I do things.