Quotes About Vision

There's nothing more demoralizing than a leader who can't clearly articulate why we're doing what we're doing.

Leadership is the special quality which enables people to stand up and pull the rest of us over the horizon.

You cannot escape the results of your thoughts. Whatever your present environment may be, you will fall, remain or rise with your thoughts, your vision, your ideal. You will become as small as your controlling desire as great as your dominant aspiration.

Change is the province of leaders. It is the work of leaders to inspire people to do things differently, to struggle against uncertain odds, and to persevere toward a misty image of a better future.

When leaders are doing their best, they Model the Way, Inspire a Shared Vision, Challenge the Process, Enable Others to Act, and Encourage the Heart.

when you have a CEO who is so ingrained in the agency, staff, and each and every one of the clients, you only want to push yourself further." Because Barby is so transparent about her values and vision for the organization, "There's no question," according to Alison, "that people want to follow her.

You have to believe, and you have to develop the skills to transmit your belief. It's your passion that brings the vision to life. If you're going to lead, you have to recognize that your enthusiasm and expressiveness are among your strongest allies in your efforts to generate commitment in others. Don't underestimate your talents.

We need to stop shuffling service parts randomly and set our sights on a goal, something we are moving toward in every service element.

If we had not experienced our deep sinfulness and Jesus' deep forgiveness through the cross, we will not love others well in the midst of their struggles. If we do not see the beauty and glory of God in our own redemption, we will not be able to offer a compelling redemptive vision for those who are hopeless and who doubt God's love for them.

I will recommend focusing on gratitude. This is not to dismiss or cover up the sadness. Rather, when we are sad, we tend to assume that there is no good at all in life. Focusing on gratitude helps to restore our whole vision.

An artist is not paid for his labor but for his vision.

Any culture that continues to influence our vision continues to grow in the very exercise of that influence.

Because culture as such can have no temporal limits, a culture understands its past not as destiny, but as history, that is, as a narrative that has begun but points always toward the endlessly open. Culture is an enterprise of mortals, disdaining to protect themselves against surprise. Living in the strength of their vision, they eschew power and make joyous play of boundaries.

A horizon is a phenomenon of vision. One cannot look at the horizon; it is simply the point beyond which we cannot see. There is nothing in the horizon itself, however, that limits vision, for the horizon opens onto all that lies beyond itself. What limits vision is rather the incompleteness of that vision

The Renaissance, like all genuine cultural phenomena, was not an effort to promote one or another vision. It was an effort to find visions that promised still more vision.

The fact that the technology of slaughter at vast distances has become extremely sophisticated does not culturally advance its highly trained operators over club-swinging primitives; it makes complete the blindness that was but rudimentary in the primitive. It is the supreme triumph of resentment over vision. We are the unseeing killing the unseen.

When we forget that knowledge rises from ignorance and think of it instead as a way of overcoming ignorance, knowledge can have the ironic effect of limiting our vision.

It is not the role of metaphor to draw our sight to what is there, but to draw our vision toward what is not there and, indeed, cannot be anywhere. Metaphor is horizonal, reminding us that it is one's vision that is limited, and not what one is viewing.

But responsibility for the garden does not mean that we can make a garden of nature, as though it were a poiema of which we could take possession. A garden is not something we have, over which we stand as gods. A garden is a poiesis, a receptivity to variety, a vision of differences that leads always to a making of differences. The poet joyously suffers the unlike, reduces nothing, explains nothing, possesses nothing.

To speak, or act, or think originally is to erase the boundary of the self. It is to leave behind the territorial personality. A genius does not have a mind full of thoughts but is the thinker of thoughts, and is the center of a field of vision. It is a field of vision, however, that is recognized as a field of vision only when we see that it includes within itself the original centers of other fields of vision.

Sexuality is not a bounded phenomenon but a horizonal phenomenon for infinite players. One can never say, therefore, that an infinite player is homosexual, or heterosexual, or celibate, or adulterous, or faithful-because each of these definitions has to do with boundaries, with circumscribed areas and styles of play. Infinite players do not play within sexual boundaries, but with sexual boundaries. They are concerned not with power but with vision.

This does not mean that I can not see what you see. On the contrary, it is because I cannot see what you see that I can see at all. The discovery that you are the unrepeatable center of your own vision is simultaneous with the discovery that I am the center of my own.

If to look is to look at what is contained within its limitations, to see is to see the limitations themselves. Each new school of painting is new not because ti now contains subject matter ignored in earlier work, but because it sees the limitations previous artists imposed on their subject matter but could not see themselves. The earlier artists worked within the outlines they imagined; the later reworked their imaginations.

If to look is to look at what is contained within its limitations, to see is to see the limitations themselves. Each new school of painting is new not because it now contains subject matter ignored in earlier work, but because it sees the limitations previous artists imposed on their subject matter but could not see themselves.