Quotes About Vision

You lay the groundwork, stay on the grind, and then eventually you get those big huge national deals with TV stations that are seen worldwide.

When I started on 'Saturday Night Live,' I had the choice of wearing contact lenses, which I had never worn before, or glasses, in order to be able to read the cue cards.

I've always loved glasses. Always have. I've worn glasses since I was in the fifth grade.

I am not worried about people's expectations. I just want to get the film right.

I always had good reactions from people with a good eye and a vision... and very terrible reactions from those who are afraid of people who are different to others - at the beginning and even now. I have never worried about it too much.

While I believed deeply in my husband's vision for this country... and I was certain he would make an extraordinary President... like any mother, I was worried about what it would mean for our girls if he got that chance. How would we keep them grounded under the glare of the national spotlight?

It is so important for designers not to run scared, and not to be too worried about what's safe and what's commercial.

There is a need for a vision that's compelling and uplifting, especially in a time when people are worried. At the same time, in this era, hard work and lofty rhetoric are not going to compel you to the presidency.

When I'm acting, I'm just worried about that piece of the pie, contributing to the whole. But when you're directing, you... get the vision out of your head and on the stage.

When Ralph Lauren creates a collection of clothes, he's not really worried about a single tie or a single shirt or a single belt... he's creating a movie, and the characters that he casts in his advertisements or the people that work in the stores are the actors in his life.

Don't worry about the financials. Just focus on delivering great products.

Basically, the start of my thinking process is: 'OK, if you didn't have to worry about re-election, what would you be doing?' That's kind of how I'm starting to think.

The way that I sort of direct the writers is, let's do the best story we can. Let's not worry about production issues. 'How much will that cost? How are we going to shoot that?' Let's not set up those constraints on the writing. I don't think it helps the project to work like that.

You just can't get too focused on worrying about what's going to happen in the next quarter. You have to worry about where the business is headed long-term.

You either 'get it' or you don't. Worrying about dissent only waters the product down; I'm a hard taskmaster, I take my job seriously, and as a creative, detail is key.

There's nothing worse than a dream sequence done all in post-production.

For better or worse, a lot of people who build things don't want to part ways. They don't have the short exit plan that a lot of the investors have.

There's nothing worse than a leader who lacks ambition.

If Romney explains why where we are with Obama is unacceptable, why whither we are tending is even worse - and why his own alternative path forward is superior - then we trust the American people to make the right choice in November.

My story is a freedom song from within my soul. It is a guide to discovery, a vision of how even the worst pain and heartaches can be channeled into human monuments, impenetrable and everlasting.

Most of the job on DDP was already done by the time I became mayor. So was Gwanghwamun Square, described by many architects as the city's worst architectural creation, and the new city hall. I did not think that redoing them would be the right approach as that would only create new problems.

My worst fear is to not able to understand what my director wants me to do. I might not be able to reciprocate to his idea or vision. I may not be able to perform before the camera. Those are my worst fears.

As entrepreneurs, or artists, or just people with dreams, the worst thing you can do is get so caught up in planning the perfect idea that you never get around to actually... well, doing it. I call this building castles in your mind.

Light makes photography. Embrace light. Admire it. Love it. But above all, know light. Know it for all you are worth, and you will know the key to photography.