Quotes About Vision

If the risk is fully aligned with your purpose and mission, then it's worth considering.

A nose that can see is worth two that sniff.

I don't read anything anymore. I don't have the eyesight. I read my own copy, that's all. I think I've read everything that's worth reading.

I learned how important timing is; having a really good idea five years ahead of its time is practically worthless.

Tom Wall has the unique ability to extract, cultivate and realize a vision that goes far beyond simple bricks and mortar. He has an amazing appreciation of art and beauty and his designs begin with listening to his clients.

I will do today what others won't so I can do tomorrow what others can't.

I have no sense of nostalgia. Tomorrow is what interests me.

The President of today is just the postage stamp of tomorrow.

One Hundred Year Starship really is about the idea that is we pursue an extraordinary tomorrow; we'll build a better world today.

We shouldn't just live for today; we should prepare for tomorrow.

You can play a role in the shaping of tomorrow's world by asking yourself questions like, 'What kind of world do I want to live in?' and 'What does democracy mean to me?'

Sometimes I wish I lived more in the day, but I'm happier thinking about tomorrow or the day after. The way I see it, there's always a new or next thing.

Do, What you're going to do in longevity. Not just what happens tomorrow.

We do not seem to be finding tomorrow's Toscas.

From where I sit now, I like the looks of tomorrow.

My grandmother's generation and generations before always saw beyond the horizons of their own lives and their own circumstances. They believed that opportunity created today would lead to prosperity tomorrow.

The mission of the A.R.T. is to expand the boundaries of theater through works of the canon and the new works of tomorrow.

It's all too easy to dismiss the future. People confuse what's impossible today with what's impossible tomorrow.

What I ended up learning was that I had to do what I do well, and do it really well and say, 'Maybe there is no pop music that sounds like this now, but I can make it so maybe tomorrow what I like can be what everybody likes.'

I'd done a ton of movies here in Hollywood, and I realized that every movie I'd done was somebody's else's work and someone else's vision.

I think every movie is its own little world, and a director certainly sets the tone.

I'm always inspired by other filmmakers, whether it's a shot or the way they handle tone.

In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.

Alexander Payne is one of those directors who is completely in charge and knows exactly what he wants, which is really fun. It's fun when a director is very specific. He knows totally the tone that he's going for. It makes it easier than if everyone's just guessing and trying to figure it out.