Quotes About Cultures

Ultimately, I have come to think, travel teaches us about love. It teaches us that the very best we can do with our lives is to embrace the peoples, places, and cultures we meet with all our mind, heart, and soul, to live as fully as possible in every moment, every day. And it teaches us that this embrace is simultaneously a way of becoming whole and letting go.

And I think that it is certainly possible that the objective universe can be affected by the poet. I mean, you recall Orpheus made the trees and the stones dance and so forth, and this is something which is in almost all primitive cultures. I think it has some definite basis to it. I'm not sure what. It's like telekinesis, which I know very well on a pinball machine is perfectly possible.

Don Pepe was a Mexican man: a fatalist. He meant to impart much more than comfort. He meant that all good things would also end. All joy would crumble. And death would visit each and every one of them. He meant that regimes and ancient orders and cultures would all collapse. The world as we know it becomes a new world overnight.

In fact, poetry has always been like archives that peoples have continually used to serve their feelings, thoughts, national identities and cultures, and it has served as a factor uniting different historical periods. Those who had lost contact with their past for a certain period found and experienced the expression of their own selves in poetry, and the were able to see their history as a whole in it.

Palermo also seemed like a stone palimpsest of cultures stretching back over many hundreds of years.

Again and again, we see how cultures and religions frame women's sexuality as both powerful and dangerous, and as something that must be kept under control.

Utopias bore me. I'm interested in constructing messy, complicated societies that are full of flaws and then saying, ooh, this is interesting, let's see what happens if I poke it here. And concurrently with this and the previous point, I'm interested in making up cultures that are different

I've got tremendous respect for different cultures, for the food and everything.

the perspectives offered in the texts may not represent the cultures as wholes (as presupposed by the long-used constructs "Israelite" and/or/versus "Canaanite"). Instead, texts have been taken as representations of the overlapping perspectives of various social factions, strata, and segments: so-called official versus popular; domestic versus public; elite versus peasant; male versus female.

voluntary poverty had a long history in nearly all world cultures—from Buddha to Jesus to Mohammed to Saint Francis—yet was generally practiced only by monastics, who combine vows of poverty with vows of celibacy.

there is considerably less violence in cultures where people think in terms of human needs than in cultures where people label one another as "good" or "bad" and believe that the "bad" ones deserve to be punished. In

how and in what ways, do various cultures show off their flags? In contrast to Swedes, who almost never display their national colors, Norwegians and Canadians generally sport a flag decal on their backpacks, the latter making sure the rest of the world doesn't mistake them for Americans.)

The uncomfortable reality is, the diversity agenda isn't about honoring and cherishing all racial, ethnic and religious traditions. It's about apologizing for our Western, Judeo-Christian foundations while pretending not to notice that we're elevating in the eyes of our children the very cultures that hold America in disdain.

The goal is nothing other than the coherence and completeness of the system not only in respect of all details, but also in respect of all physicists of all places, all times, all peoples, and all cultures.

There are a lot of unanswered questions about ancient music, not the least being why so many different cultures came up with so many of the same tonal qualities in their music completely independent of one another. Many theorists have concluded that certain patterns of notes just sound right to listeners, and certain patterns don't. Music theory, then, very simply, could be said to be a search for how and why music sounds right or wrong.

The Psalms offer us a way of joining in a chorus of praise and prayer that has been going on for millennia and across all cultures. Not to try to inhabit them, while continuing to invent nonpsalmic "worship" based on our own feelings of the moment, risks being like a spoiled child who, taken to the summit of Table Mountain with the city and the ocean spread out before him, refuses to gaze at the view because he is playing with his Game Boy.

of praise and prayer that has been going on for millennia and across all cultures. Not to try to inhabit them, while continuing to invent nonpsalmic "worship" based on our own feelings of the moment, risks being like a spoiled child who

The fact is, successful relationships and healthy cultures are not built on the claiming of rights but on the yielding of rights.

All human populations are in some sense immigrants. All hostility between different cultures in one place has an aspect of the classic immigrant grudge against the next boatload approaching the shore. To defend one's home and fields and ancestral graves against invasion seems a right. But to claim unique possession – to compound the fact of settlement with the aspect of a landscape into an abstract of eternal and immutable ownership – is a joke.

It's one of the Filter theories. Absorption into simulations. Cultures swirling out of the universe like dirty water down a plug. Derealization vortices.

There is but one end to all the conflict, and that is death—the death of individuals, of peoples, of cultures. Our own death still lies far ahead of us in the murky darkness of the next thousand years.

Pyotr said that all children were God's children, even those whose minds had been overwritten by alien memes. "What about the Jackaroo and the !Cha?" Tony said. "Those also." "And the Elder Cultures?" "Of course. The universe and everything in it is Her Kingdom.

all those captured as children and returned were restless and hungry for some spiritual solace, abandoned by two cultures, dark shooting stars lost in the outer heavens.

They were all odd, the returned captives. All peculiar with minds oddly formed, never quite one thing or another. As Doris had said back in Spanish Fort, all those captured as children and returned were restless and hungry for some spiritual solace, abandoned by two cultures, dark shooting stars lost in the outer heavens.