Quotes About Expectations

At the end. First start off and do your youth thing In Hollywood and then go to New York later. But it wound up being later, later than I thought it was going to be.

This is going to sound strange, but I really didn't think I would pass 30. I don't know why or whatever, I just didn't. That's a very weird thing to say, I'm sorry. I don't know. Maybe it's because I was drinking so much as a youth.

My mother was right when she said that turning pro would take away my youth.

We're rewarding either the reality or the appearance of youth, which is why you have all these people in their fifties trying to act like they're seventeen. You know, it's great to be young. Be young. By all means, be young. But always remember that youth is also kinda dumb, and doesn't know a lot yet.

When my body and face were perfect as far as youth, I wasn't happy.

I can't think about whether I'll disappoint Sonic Youth fans. It's not like I want people to be disappointed, but I just can't control that.

I had lived all of my youthful dreams, but I couldn't think of many adult ones. I finally realized that we don't have many dreams for adults because, historically, people have always died much younger than they do today.

When my first grey hairs appeared in my 30s, a senior BBC producer quietly took me aside and told me to cover them up. It was the first time I realised being youthful was a job requirement - looking older was not allowed.

When it gets to that time to tell your mum that you're not going to university, which has been her grand plan for you for the last 18 years, all of a sudden 700,000 YouTube views mean absolutely nothing.

It's a bit weird, because I don't really know what people expect or think being political is; I just don't get it. What am I supposed to do as a pop star-stroke-revolutionary? Get up and put my balaclava on, go to the grocery store and then invent some Google viruses, and then go to rob a bank to fund my revolution on YouTube?

Some comedians will tour and do these classic bits all the time. But now with YouTube and Comedy Central, people see your stuff, and they don't want to hear you do that again.

YouTube has become more mature, both as a platform and as a community. So much content has been added in almost every conceivable category that there are no more free passes on just getting there first. I think there are greater expectations for audience participation, the kind of participation that makes a real impact in a show's community.

There's just a lot of really young, entitled people. I don't think a lot of these young people have to work very hard. They're found on YouTube and, boom, thrown into the studio, so they think they can get anything they want.

Usually, YouTube channels are named after the person that you see on camera... or in the case of ours, it could have been the show, but we didn't even name the company 'Red vs. Blue.' We named it something else to give people the idea that we were going to be doing more than that.

A lot of girls on YouTube want to show their personality, but they are afraid because they think people only want them to do beauty videos. That's just not true.

I'm having a lot of fun playing myself out there on YouTube and showing who I am and getting to do projects that make me happy versus satisfy what people think a girl should be doing.

I think the problem with 'YouTube Rewind,' at least how I see it, is pretty simple actually. YouTubers and creators and audiences see it as one thing and, YouTube, who's in charge of making it, sees it as something completely different.

The most scared I'd ever been was the first time I sang at a rugby match, Australia versus New Zealand, in front of one hundred thousand people. I had a panic attack the night before because people have been booed off and never worked again... just singing one song, the national anthem.

Magic trick: to make people disappear, ask them to fulfill their promises.

That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.

If you set the attractiveness bar really low, people have to compliment you on your looks when they meet you in person. I'm pretty much a genius. I'm actually applying to work at the Genius Bar based on this trick.

The Royal Ballet was good to me. They gave me everything I asked for. It's just... I felt tricked. I became a principal and I couldn't even afford to pay for dinner. I couldn't afford a flat.

Actors know, with me they aren't going to be allowed to rehearse a scene for a couple of hours and then get away with doing 25 takes before we get it right. So they come with their full bag of tricks.

I learned from Jimi Hendrix. They all wanted him to do the tricks, and at the end of his career, he just wanted to play. I lived longer than he did, and I can see how those pressures can really play with your head.