Quotes About Musical

I think, at the end of the day, that was really what the reward for production is for me, is being allowed to be a part of somebody else's musical vision for a while. Like Gwar. I got to do a Gwar record, right? That was great.

Ah, it's awesome learning about theater, but it's a completely different musical landscape from rock and roll.

My dad was a musician, played on the road and played all of his life. And I grew up in a musical family. I heard it all. I mean, I got accustomed to listening to Roy Acuff and all the old guys. It was really cool for me growing up in a family like that.

Running is very rhythmic, and I have written a lot of lyrics while out running. It's a very musical exercise, and sometimes I like to sing when I run. Your whole body is doing the same thing.

I love' Les Mis,' and I owe it a lot, because I wouldn't have been born without it.

It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.

I live a dramatic life and love the characters that are constantly changing in their lives. For that reason, if I have an opportunity, I would like to participate in the musical 'Hedwig.'

It's not like I'm writing full songs or full parts and setting it aside for Slash because, generally, I like him to make the first move and hear where he's coming from and what his concepts are, and then I build from there.

Slowly poetry becomes visual because it paints images, but it is also musical: it unites two arts into one.

Madonna, I think, is the greatest visual musical artist that we've ever had. If you look at her photo log, the photographers that she was able to work with throughout her career framed her in the proper way. It was the proper context. It was that visual that made sure that everything was gonna cut through in a certain way.

I've always been a follower of silent movies. I see film as a visual medium with a musical accompaniment, and dialogue is a raft that goes on with it.

If you focus too much on development of the visual angle, it could be a detriment to what you're doing musically.

I'm personally more struck by visual things more than musical.

I don't really trust musical artists that don't also do visual art.

I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.

I danced for a while, and I knew I could sing, so I just began singing in a praise band at church and doing musical theater and jazz vocal performance in school. One didn't really lead to another; I was just always interested in the performance arts.

'Rent' audiences tend to be pretty vocal. They scream and cheer a lot.

Although my other ambition was to be a musical theater star (and I would attend college on a voice scholarship), writing was never far from my mind.

Truth be told, of course, what I enjoy most is reinventing myself and doing new projects where I work in new genres, or I get to find what the voice of a particular musical is.

To be honest, I'm not really prepared to do a musical, simply because I think I have a pretty atrocious voice.

I was a child prodigy who had a freak voice of something like four octaves.

I would love to be an amazing singer. I take voice lessons. It's good to have as a dancer - to be able to sing and act, too, because for a Broadway show or musical, you have to be able to do everything.

I did my first little kids' musical, 'The Sound of Music,' at 5, in a jungle gym, essentially. I was a made-up Von Trapp child, Ingrid Von Trapp.

My childhood shaped the person I became. It was artistic, musical and left-wing.