Quotes About Musical

I have a musical called Goodbye and Good Luck, based on a Grace Paley short story. I also have King Island Christmas, and there are 20 different productions of it this year.

I loved playing Jesus in Jesus Christ Superstar. I mean you can't do better than playing God!

How charming is divine Philosophy! Not harsh, and crabbed as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfet raigns.

I have a musical called Goodbye and Good Luck, based on a Grace Paley short story. I also have King Island Christmas, and there are 20 different productions of it this year.

I mean, I sing. But I don't think I'm a good enough singer to do any kind of musical.

For 'Singin' in the Rain,' I bought most of the costumes - the 'Fit as a Fiddle' costumes and the 'Make Them Laugh' Donald O'Connor outfits and the 'Good Morning, Good Morning' clothes we danced in.

To me, the musical is best when it's a musical comedy. So if you have a very, very funny show, and very good, funny songs, that's what the musical does best.

I like to challenge myself, to see if I can actually write a pop album that people can connect with lyrically. Musically, it's very accessible - or, at least, I hope so.

I did a lot of musical theater when I was younger, and I really hope to get back there someday. I miss singing a lot. I listen to Broadway show tunes in my car and sing along to them.

Coldplay frontman Chris Martin has found his niche in making the sound of solitude a triumphant experience, like Good Will Hunting: The Musical.

I am first and foremost a musician, although those of us who live elsewhere still dream about the inspirational qualities of Australia and its ravishing transcendental beauty.

Sadie's smile a metallic gleam of the most expensive, longest-running batch of braces in history, like some well-loved, sentimental Broadway musical.

The novel integrates several forms of human intelligence - verbal intelligence (for the style), psychological intelligence (for the characters), logical intelligence (for the plot), spatial intelligence (for the symbolic and metaphorical content as well as the setting), and even musical intelligence (for pacing and rhythm.

Good girls like myself need subversion. Being solemn, I aspire to comedy. Being a novelist, I aspire to the musical. Being organized, I aspire to luminous chaos. Loving the power of grammar and the fine distinctions of language, I seek the part of the mind I didn't know was there, the part 'sheer,' 'no-manfathomed,' 'cliffs of fall.

The 90-degree turn is crucial to understanding how to make resurrection or ascension real. The dimensional levels are separated by 90 degrees, musical notes are separated by 90 degrees, and the chakras are separated by 90 degrees — 90 degrees keeps coming up over and over again. In fact, in order for us to enter into the fourth dimension (or any dimension, for that matter), we must make a 90-degree turn.

Glasgow's not a media center. When you're there, when you're hanging about, you feel quite detached from musical movements or fashions or anything like that. You do feel quite alone, in a good way.

No verse which is unmusical or obscure can be regarded as poetry whatever other qualities it may possess.

The way other kids would watch 'The Little Mermaid' or 'Sesame Street,' I would watch 'Fiddler on the Roof.'

I worked with Kathy Rigby, and it's a concept called 'Peter Perry': it's all of Katy Perry's songs telling the story of Peter Pan. Kathy was so sweet, and it was such a cool experience to meet her and work with her and use the set that I had watched on television for so many years.

I've tried to pitch 'Borgen - the Musical,' but they just won't listen to me!

Ireland, Italy and Brazil are the most musical places for me. They're extremely musical cultures and anything you pitch they basically catch.

I always have plans to return to the stage. I leave myself very open. I think what would be more likely is if I did a limited run of something, whether it be a play or a musical.

During the fourth year of college, I heard about auditions for a musical for which I got chosen. There after, I continued acting in plays and improved.

I wanted to be an actor because I wanted to be onstage. I wanted to do musical theater, and from that I realized I was interested in plays. I never imagined myself on television. I was so lucky to be onstage my whole life.