Quotes About Musical

I never wanted to be a wrestler, I wanted to get into musical theater. I always wanted to be on Broadway.

We made 'Wretched and Divine,' and as much as I love it, it's a pretty sparkly record - it's a record that could be done as a play because it's very theatrical with no grit.

I remember Tim telling me that he had an idea for a musical and he said to me that he was hoping that ABBA would be writing the music, which I thought was a pretty wild idea because they were obviously known very much as pop writers.

We love 'Fiddler.' We love 'West Side Story.' I want to be in that club. I want to be in the club that writes the musical that every high school does.

It's great when it all comes together in a great musical like 'Sweeney Todd,' when Stephen Sondheim writes songs from heaven, the book is good and the staging is good. But it's very rare when that happens.

Seeing Taylor Swift live in 2013 is seeing a maestro at the top of her or anyone's game. No other pop auteur can touch her right now for emotional excess or musical reach - her punk is so punk, her disco is so disco. The red sequins on her guitar match the ones on her microphone, her shoes and 80 percent of the crowd.

I jumped at the chance and auditioned for a leading role in the musical 'Hair,' which was touring in Berlin and London. I won roles in both productions and left my job as a secretary after 18 months in 1970 to join the cast of 'Hair' in Berlin. I opted for Berlin because a girl from my neighborhood was also going to perform in 'Hair' there.

I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.

I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.

Our dad was a singer and keyboardist and was in bands throughout his whole life. He was in a band called Sweathog that opened for Black Sabbath and eventually was the lead singer of Tower of Power for a few years.

I saw 'On The Town' about nine times. I discovered it. I loved it. I was in college.

I have a fantastic studio in my home, and it's my biggest toy. I have about a half a million dollars worth of musical equipment in my house.

I want to write a play. I'd like to do an original musical. I should probably put together a poetry collection.

Bones was lost in the sweat on her exquisitely sweating body. He was jealous of her sweat. He wanted to be her sweat. Even through the viewfinder he could see her ribcage pressing against her leotard like a musical instrument. He wanted to play her long into the night.

No one could honestly say that a musical makes sense.

A new austerity and prayerful privacy reigned. Oddly, this shift moved almost in lockstep with the growth of public musical theatre, as through the now idle impresarios o f the Catholic Church found fresh work in opera and oratorio.

I would love to be on Broadway!

Up until I started on YouTube, my first love was musical theater.

She spoke loudly in order to be heard above the noise of personal communitainers that were thudding and banging all around them. Some people used earphones, some didn't, clearly believing that as many people as possible should be given the opportunity to appreciate their musical taste. That, combined with the mass leakage from the headsets, created a terrible din and even discreet private conversations had to be conducted at a yell.

the comparative framework of sounds or tones that make up a musical scale. So while frequency is a physical property of sound—it's a measurement of the number of cycles per second of a sound wave—pitch refers to what we hear. The chromatic scale

Pitch is closely related to frequency, but the two are not the same thing. Pitch is mostly used in the comparative framework of sounds or tones that make up a musical scale. So while frequency is a physical property of sound—it's a measurement of the number of cycles

I wouldn't say no to other kinds of musical opportunities. I guess that it just depends on what it was or what it required me to do, and if I felt that it compromised my own soul.

Not exactly what the world was looking for, a musical on 'Don Quixote.' It was required reading in high school.

I'm driven by the idea of characters and the song-cycle form is similar to a musical.