Quotes About Sitcom

I watched 'Full House.' I loved 'Full House.'

I can remember when I was a baby and my mother was there watching the show. I went and bought 100 episodes and watched them. I respect it so much that the sitcom itself and Ed Norton; I'm not playing Ed Norton but my version of it, cause I'm a black man.

The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom, and the next wave isn't a reaction to the reality of that, you start losing relatability. In a lot of romantic comedies, they throw out the rules of life.

I hate moaning comics, but I do find it very frustrating when I switch on BBC Four or BBC Two to find they're repeating some piece of crap sitcom. I think: Why don't they show mine? Not because I'd make any money, it would just be nice for it to be shown.

I spent a long time on a big studio sitcom, 'Baddiel's Syndrome,' for Sky, and got no audience.

I feel like I don't mind acting in a sitcom because it pays well and is good exposure, but I don't feel like, comedically, what I have to say I can say on a show that needs to draw 14 million each week.

Nothing's as easy as it is on a sitcom. Issues that we take care of in 20 minutes on the show can stretch out over years in real families.

Everyone in L.A. talks about getting an agent or a manager in terms of getting on a sitcom or getting on a movie or doing something else.

With Alicia and the Alchemists on the loose, Sydney couldn't leave a secure location like this without good reason. She contented herself by holing up in a guest room and prepping some spells that would be of use in the search for Alicia tomorrow. That left Dimitri and me to babysit, which seemed like the setup for some sort of wacky sitcom.

I love the sitcom schedule. It takes a week to make an episode, but we don't work on weekends. I'm usually done in time to get home for dinner with my wife and daughter.

A lot of people give actors credit when they gain weight for a role in a drama when they win an Oscar, but when you're doing a sitcom, people don't give you a lot of credit, because you've got to keep your weight on for five or six years if it's successful.

You don't really see sleepwalking in films that often. It's weird; I feel like in popular culture we have the perception of sitcom, arms-in-front-of-your-body sleepwalking, and then maybe Olive Oil and Popeye when she sleepwalks through the construction site. But it's all very cartoonish, in some cases literally.

Getting to be the 'weird roommate' on a sitcom was a dream come true.

Five years is a good run for a sitcom; seven is good, but usually, it's a couple years of staying past your welcome.

The '80s was a great decade for comedy.

The Young Ones," she ejaculated, "that legendary situation comedy that exploded in the cultural wasteland of the early eighties like a five megaton nuclear warhead thereby forever changing the face of British broadcasting and leaving a big fuck off crater in the middle of it?" "The very same.

Had he been a few years younger and lived a decade or two longer, Frawley would have been perfectly cast as lovable bigot Archie Bunker on All in the Family, the classic CBS sitcom that came to television in 1971.

We're like the couple on the sitcom that has good sparks but never get together for the sake of ratings.

My Favorite Husband,

I don't know, on a sitcom, and in theatre especially, you have to really be listening to an audience. And if you're losing them, you can hear the sniffs, and the playbills shuffling and whatnot.

The difference between doing a live show and a sitcom is that a sitcom can live on. If you do it well, it can leave a legacy, whereas most of our live work never gets repeated because it's final, it's done, you start again.

In Mexic,o the concept of a sitcom doesn't actually exist - even if you do a sitcom, technically speaking, because it airs from Monday to Friday, they put it in the telenovela category. But, of course, I am from Mexico and grew up with the telenovela culture.

In those stupid online polls to find the best sitcom ever, 'Father Ted' never gets the credit it deserves.

In 1965, Cosby had become the first black man ever to star in a prime-time television show; he was conscious enough of his non-dissolved, traditional nuclear family that he made it the foundation of his public persona, his comedy act, and eventually of his blockbuster sitcom.