Quotes About Sitcom

I don't think of myself as a guy who writes for kids, I really don't. I try really hard to write a good, solid sitcom.

We were on for six years. We were in syndication for a while. It had its run. I still see the people from 'Mr. Belvedere,' too. We stay in touch.

My first love is acting on stage. A sitcom is a hybrid of stage and film.

La vie est une sitcom: une suite de scènes qui se déroulent toujours dans les mêmes décors, avec à peu près les mêmes personnages, et dont on attend les prochains épisodes avec une impatience teintée d'abrutissement.

I'll always have genuine affection for my dear friends Candace Cameron Bure, Jodie Sweetin, Ashley Olsen, and Mary-Kate Olsen for being such important, genuine friends in my life. And the incredibly sweet Andrea Barber, who played Kimmy Gibbler,

People would say, Can we develop a sitcom around you? and I would say, Not interested. I'm very happy doing standup and writing and taking my kids to school.

I was fired from an NBC sitcom called 'Friends With Benefits.' I was wrong for the part from the beginning, didn't even want to audition, and kept thinking, 'This isn't funny at all.'

Yeah, the sitcom world is dead. It's all reality.

Comedy is my favorite genre. I think it often doesn't get the respect it deserves, and I think one of the reasons is there was a tradition in the past of comedy looking kind of brightly lit and like a sitcom.

Black Books adheres to a more old fashioned, traditional sitcom format, which I think works, because in its own way, it's quite theatrical.

A lot of the traditional sitcom stuff I did - I think I could have gone that route when I was younger as a staff writer, and I just didn't want to.

I really loved when I started doing '70s Show,' though I had never acted before, so it was a great training ground being on a sitcom.

I'm very lucky to be on 'Melissa and Joey' because it's a multi-cam sitcom, and it was a nice transition from theatre because it's taped in front of a live audience.

The truth is, you win the Lotto. That's really how you have to approach it. You're a lottery winner when you get a sitcom and it goes.

There is absolutely no way for a sitcom to be a challenge to me.

When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow.

I had developed a sitcom with UPN, but it wasn't picked up.

The TV schedule is fantastic. It allows you to have a life. Theater actors are so disciplined - especially if you're doing musicals, you have to be in shape physically, mentally, and have to be on your game all the time. That's exhausting. On TV, especially a sitcom, you have a lot of free time to play.

You have to ask yourself if you want to be the kind of actress who's interesting, or the kind of actress who's meant to play the pretty-but-uninteresting wife of a chubby guy on a network sitcom.

On network TV, I'm still Phoebe to people, and it would be hard to convince them otherwise in the bright lights of a sitcom.

I ventured into a world of sitcom, and I have no regrets. I loved it.

A lot of the time, you need to find the right home for ideas. You know, sometimes you think 'oh this'd be a sitcom, oh, no it wouldn't, it'd be a drama, or an educational thing, or a doco or something.' I've got loads of ideas and you just have to keep sending them and pitching them.

Well, usually, when you're doing a sitcom, you get a script and every word or for the most part, is written. So, you know, if it's a 30-minute sitcom, then it's a 35-page script or something like that.

Anything I have blown a lot of money on? Well, I have three daughters and a wife - that's four women, and I'm working on a sitcom, so you could say that I am just trying to stay alive!