Quotes About Venues

I've graced almost every stage in N.Y., from Webster Hall to Gramercy Theater to Best Buy.

For a long time, I couldn't actually deal with playing concerts; it was a totally alien concept to me, 'cause I was used to playing in clubs and dance halls.

One of the things that's wonderful about having a festival in a small town like Enniskillen is that we don't have lots of purpose-built venues so we have to be creative about where we place events.

I would not take a girl to a club on a Thursday. I would not take her to a really noisy, swanky restaurant.

Just as quickly, as stocks bobbed and weaved, those orders were canceled and resubmitted at different price points—at different exchanges and dozens of other trading venues, such as dark pools (incredibly, a staggering 90 percent or more of all orders placed into the stock market were canceled).

The London Games will be designed for the athletes and we will provide them with the very best venues and the very best conditions to pursue their sporting dreams in London.

I can't remember the names of all the clubs we went to.

I go and see music all the time.

When we first started and started hitting new places for the first time, you kinda didn't know, because we were new. Sometimes we played tiny little clubs and sometimes we'd play a larger place.

My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.

Is it ever worthwhile to buy a review? Not in my opinion. With independent paid review services, quality can be a problem; plus, there are plenty of non-professional book review venues out there that will review for free.

When you talk about running big venues, obviously the WWE has sold out arenas all over the world throughout the years and it seems like every WrestleMania sets a new record. But, I believe l and I'm not mistaken that the first guy to run a dome was Bill Watts when he ran The Superdome.

I've done every kind of touring known to mankind. I've played the big and the small places.

Touring is a tough business.

Big shows are more like events and small shows are more like traditional gigs.

an underground music network was starting up: record stores that championed independent labels were beginning to appear in major cities and college towns, college radio was noticing the music, fanzines were flourishing, and an underground railroad of venues was assembling.

I still have all the faith and love for my music and yet I'm still playing places for kids.

In Canada, the major centers to play are very few and far between. Bands that are traveling in Canada really have to travel between gigs.

I love the intimacy of small venues, I really do, I like that look that people have that they feel like they're special and they can hear and they can see the band as well.

Playing in London in 1979 was exciting: it was at the start of new wave, the transition period after punk, and there were a lot of radical, fashionable young people on the streets and in the venues.

We're going out to play all the places where people might want to see us, because next time we might not just think about hitting every market or how we can make the most money.

I don't think I'll be playing the Mirage or the Tropicana when I'm 40.

If you're middle aged... where're you going to go to meet someone? You're not going to go to a bar, you're not going to go to a night club; and there are the museums.

I am an advocate of playing in big stadiums.