Quotes About Venues

Some of the most radical work is being done in the most commercially pop venues, and some of the most boring work is being done in avant-garde territory.

I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.

All I know is that as an audience member, I am less and less inclined to go to the theater. But that has to do with content and also because the venues seem to be actively trying to repel people.

Critics for established venues are vetted by editors; they usually demonstrate a certain objectivity; and they come with known backgrounds and specialized knowledge.

They are the three venues I wanted to box in - I wasn't really interested in Las Vegas and all of them places. The three I always said was Croke Park, United, and Madison Square Garden.

Between podcasts and places like Funny or Die or CollegeHumor, there are so many venues to get the word out. It makes it difficult in that there's a never-ending desire for content, so you have to constantly be turning stuff out, but that makes you better and more prolific in general.

You go into the venues, and there's a huge drop-off rate in the merch lines. People don't want to miss parts of the concert.

You really notice how you're growing when you go on tour. To be able to tour around the world, and do bigger venues every year, is really, really cool.

During the 2016 election cycle, Trump's campaign spent at least $791,000 to hold events at 12 Trump-branded venues: three hotels, seven golf courses, a condo building and Mar-a-Lago, federal campaign filings show.

I was seeing kids my age playing shows at their parents' houses or the couple of all-ages venues that existed. I feel like I saw so many different kinds of music that I wouldn't have discovered on my own.

Arenas, to me, and especially sheds, are really great venues. You get that sea of humanity, but everybody can still see it and hear it. And that's really important to us.

In my opinion, the most stagnant thing in our sport is our schedule and our venues that we go to.

I have really got into watching the unsigned bands. They play mad venues like the Sugarmill in Stoke and all sorts of underground, grimy places.

For someone like me, if I ever had huge success or whatever that is, I would just play smaller venues two to three nights in a row just to keep the intimacy level there and that's my take on it, but it just depends what you're going for.

I'm not as much a fan of the venues as I am the comics who inhabit them. I don't care if it's a bomb shelter, a bus, or a theater, if I'm watching somebody who makes me laugh, I'm down.

That's the ultimate goal for any fighter, to fight in those big casinos, on that strip in Las Vegas, Madison Square Garden, New York - all those iconic venues.

I'm a fan of small venues that showcase emerging talent in the most organic way.

From the very first days of AEG, my vision has been to tie together world class real estate development structured around entertainment venues with premium sports and live entertainment content.

All the other major championship venues rotate around, so winning the Masters gives you the opportunity for many years to walk down memory lane and be a significant part of that club.

I really like to do small venues. They're more intimate.

We've played all sorts of weird and wonderful places. You do all kinds of venues from heavy metal places in Germany to big ornate churches, and everything in between.

Back in the early 1980s when rappers couldn't perform in the fancy venues because the police were too racist and scared, it was the punk venues letting them in to perform.

There is always going to be competition from other countries and different venues who want to host a race, but the British GP is a must have.

We'll always play different venues. We'll play small clubs or stadiums or things in between.