Quotes About Shooting

you're a good shot, it doesn't matter how much stopping power a gun has." "If you're a good shot," I said solemnly, raising a hand to my breast, "you're probably already using a rifle.

before himself being shot by the flight's captain.

It was many years ago when I started shooting and I took it up as a complete hobby and a pastime.

I like shooting in New York because I have such a connection to the city. I have so many memories there.

I grew up in Los Angeles, and I've made movies all over the world... I've been in New York, Norway, Chicago, Pittsburgh, Philadelphia, London - I've been in all these cities, shooting away in the winter, thinking, 'People who choose to live here are insane.'

Most young kids can't figure out how to shoot.

Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.

I definitely can shoot. I definitely like to talk trash, too.

Working on location is ideal because you enter the character and the story. Shooting at a studio near home, there's a certain split. But on location, you forget the real world, and when you come back to reality, just going to the market can be traumatic.

I think I'm most excited about traveling and shooting and spending time in L.A. I have a great talent agency there and, you know, working with my acting coach and really putting in the time and effort to transition into the acting.

I was in Mauritius, shooting for 'Break Ke Baad,' and I went for skydiving. It was a life-changing experience. Travelling, dancing, and reading are my other pastimes.

We would get 20 different angles and then cut them all together. That's what I called it at the time - the 'cubistic' treatment of shooting football. It was the same thing Picasso did except we did it with a football play. It's taking a single image and looking at it from multiple perspectives.

Looking back now on our workload, I just shake my head at our pace. 'Star Trek: The Next Generation' was my first series, so I didn't know anything about that when I started. I just assumed it was normal to make 26 episodes a year on a seven-day shooting schedule.

The trend now is to shoot in Canada because it's cheaper, and they don't care what the location is.

It's tough for a jump shooter, especially in a triangle offense.

In Denhorah's eighth grade geography right now, six days before Thanksgiving turkey, Mr Massey is saying that all of the details aren't in. That it might have been Highway Patrol that shot that Native American man just off the reservation. That it doesn't have to have been vigilantes or militia, even though this state is stacked deep with the second, all of them hoping to be the first.

I had a birthday one night on a farm we were shooting on. I walked into the tent, and there were 150 people waiting for me, all wearing masks of my face.

But shooting a man takes one of two things: an overwhelming fear of one's own death, which Nick did not have in the least; or conviction. It turned out he lacked this component as well.

My game is - and I'm not saying I'm slow or anything like that, but my game is mental. My game is shooting; my game is efficiency. If I'm healthy, I feel like I can be effective for a long time.

As I get slower and older, I'm going to shoot more threes.

I'm not the fastest player, but you can't really play up on me because my handles are good enough where I can get around you. But you can't play off of me, because I can shoot. And if smaller guys try to defend me, I'll back them down. I'm a good post player.

You do need to edit yourself as you shoot because you have fewer options in a smaller movie. In other words, when I'm shooting a big movie, and I got an 85 day shooting schedule or more, then I'm saying I have enough time to shoot option A and B and C and D for every scene.

I don't think smaller guys usually bother me on my shot too much.

I dread shooting with animals. I hope I never get a script with snakes.