Quotes About Shooting

Lucas began filming THX 1138 on Monday, September 22, 1969, shooting from 8 a.m. to 7 p.m. in the still unfinished Bay Area Rapid Transit system.

Strichen House, now derelict, was once the home of the Lords Lovat, a branch of the same Fraser family which had built Fraserburgh, and on the top of Mormond Hill are the ruins of Hunter's Lodge, which Lord Lovat used to take for shooting parties.

i didn't see anyone! she said. who were you shooting at? what happened? there was a long silence. the men looked at each other. then clellan spoke, a little tentatively. he's very fast.

But what is in many ways most memorable about Robert Canterbury's report are the final two items on his list: "Problem Areas and Lessons Learned" and "Recommendations." Beside both, the highest-ranking National Guard officer at Kent State University on May 4 typed: "None." Of all the thousands of pages of documentation spawned by the shootings, there may be no sadder testament than those two "nones.

I was a knight, Andrea said. I'm not just going to start shooting every dickhead who mouths off to me. Just making sure. Besides, if I shot him, I'd do it so nobody could trace it back to me. I'd shoot him somewhere remote, his head would explode like a melon, and they would never find his body. He would just vanish.

I'm going to shoot him," I squeezed through my teeth. "No, that would be murder," Grandma Frida told me, her voice soothing. "You've had a long day. Let's put your magic away. You know what you need? A nice cup of chamomile tea and a tranquilizer . . ." I

I only wish the sport of shooting was more reachable and there were training centers all over the country where youngsters could go and try shooting.

Stylistically, in improv, I don't think you can have as many camera tricks; I think you're kind of shooting more like a documentary: you don't know where it's going, so you have to hang back a little more.

While actors play with guns for make-believe, the guns themselves are by no means make-believe; they're real. Even when the actor is using blanks, there are all kinds of safety protocols to follow when shooting one at someone. Pulling the trigger is the easy part.

It was work as well as play while shooting for 'Ishq Vishq' in South Africa. What made the trip more enjoyable was our energetic and fun-loving director Ken Ghosh, who hung out with the cast a lot.

If I get a chance, high pick and roll more. I want some triple doubles. I've got to get my handle right so I can pass and get it to guys where they can make shots.

I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.

If we have a full-fledged film city here, it would save the directors from a lot of transportation costs and booking troubles. Further, it will boost Chandigarh's economy by creating huge employment as also will bring Chandigarh on national and global map as a preferred filming and shooting destination.

I've shot a lot of places, and I've produced. I always thought, 'Gosh, when you shoot in a big city, it's so difficult.' And New York, I always think, 'Where are you going to park the trucks? How are you going to stop the traffic?'

I am going to be on 'True Blood.' It was really exciting. I had a great time shooting it. I spent the last nine months shooting this season and it was very secretive, very sexy, a lot of blood and fangs.

'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!

White-on-black shootings evoke America's history of racism and so carry an iconic payload of menace. Black-on-black shootings carry no such payload, although they are truly menacing to the black community. They evoke only despair.

I love thinking about mechanics and having your mind agree with the mechanics. Sometimes you can shoot it correctly, but your mind doesn't think that it's right. So it's like, how do you get your mind to trust that that's the right way to shoot it.

Dark Water was one of my favourite films to shoot because of Walter. I had seen the previous films he had directed, Central Station and Motorcycle Diaries, and I thought they were great. I really trusted him.

When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.

You can be as critical as you want of Black Lives Matter. I'm critical of him, too. But to say that they have caused shooting of police officers, I think is a bridge too far.

Shooting is a lost art. I want to be one of the artists who is remembered for a long, long time.

It's a Glock. You squeeze that part, things come out of that part. Very fast.

At that moment, everything went utterly still, but for light shooting from jewelled throat to jewelled throat, from candelabra to chandelier.