Quotes About Shooting

When you talk about a daily soap, it means one would be seen 28 days a month, which requires 30 days of shooting. So an actor being seen on a show airing four days a week and being telecast thrice a day comes along with a baggage of the character.

40-minute game at Duke - they got soft rims - I'd probably score 84 or 85. I wouldn't pass the ball. I wouldn't even think about passing it. It would be like a 'NBA Live' or an 'NBA 2K7' game: you just shoot with one person.

I would rather be hired solely for my talent, not just to fill a quota. I also don't want to shoot just any studio movie just to say I'm shooting studio movies - for me, quality of the material comes first, and if eventually that leads to a really great studio project, then that's a bonus.

There's some things that you learn as you're shooting, and as you're editing that are key, because when you start you don't have the brain that can finish it. You don't really know what it is, and that's the key job; figuring out what you actually have, not what you're dreaming of having.

Working on 'Laguna' was great because just being in production and shooting stuff and having to go back and relive some things, and there were some lines here and there that the producers would want us to say, and just kind of, you're forced to recreate moments, and just working on the show was so much fun.

I'M SCARED I'LL SHOOT MY NEIGHBOR BY ACCIDENT IF I SEE HIM TROTTING DOWN THE ROAD, SAID A FARMER IN KANSAS, WHAT IF HE GETS AFTER MY CHICKENS?

As for my favorite games growing up, if I were to mention a game other than 'Gradius', it would have to be 'Xevious'.

The greatest set shooter ever? Larry Joe Bird. Period. The best coming off screen? Reginald Miller. And the best off the dribble? Steph Curry.

I didn't like the way I shot the ball in Milwaukee, so I worked really hard on my shooting - threes off the move and off the catch. And also continued to work on my ball-handling and my in-between game - my runners and floaters.

She had been shot once, point-blank in the chest, from five, maybe six feet away.

He remembered those tense moments on the cliff face and kept a grin off his own face with an effort. How many women, he wondered, could have spit curses at a man while dangling from a cliff by her fingertips? With someone shooting at her? Not many.

I just had my 30th birthday and we went turkey shooting. It's what I wanted to do, so we went.

shot him in the butt from three feet away and Pendergast

One of the main reasons I am so drawn to Hitchcock is that he planned his shots way in advance on story-boards, which he designed like classic paintings (he was an art connoisseur). It's why he found shooting on set boring - because he had already composed the film in his head.

I really liked the helicopter pilot in 'Dawn of the Dead', when he gets bitten and comes out of the elevator. That guy was amazing. He did this incredible walk that we didn't even know about until we started shooting.

What part of 'drop it' don't you understand?" "The part where you keep interfering with my investigation and shooting people I need to interrogate." "Interrogate? I must not understand the meaning of that word, because from where I'm sitting, you blunder around asking people questions until they try to kill you.

You shoot blanks with your other salamander, too, Jeremy

I shot a gun one time in New Zealand. An entertainment news program there thought, since the band was called Semi Precious Weapons, they would bring us to a gun range.

I actually shoot. I enjoy target practice. I find it really zen. You focus on nothing but the target. You have to control your breathing. It's all part of my years in the military, where I was taught to become a marksman but also to respect my weapon.

Sometimes I've been more emotionally disturbed by the experience of shooting a comedy than a drama. After 'We're the Millers', I think playing this battered loser who's confidence was at zero for 90 percent of the movie, I did genuinely feel that way.

A perfect example is 'Zero Dark Thirty.' That's the closest thing to reportage that I've done because a lot of that was shooting from the hip and found images and giving the actors a lot of freedom to explore the space and not have to repeat their actions twice and basically workshop on-camera.

I loved killing zombies in 'Day of the Dead.' I basically welcome anything that involves being dirty or bloody or shooting guns.

At its best, a live show is completely transcendent. The image I get is breaking through glass or shooting out into the free zone.

These gun-free areas are actually - they're free-shooting zones for people because they know that there won't be anybody there that can stop them.