Quotes About Shooting

Immediate action taken by personnel who are on-site when the shooting starts is the most effective way to stop the killing.

confirmation of the advice of John Benner and others not to give a statement to law enforcement right after the shooting. This is why it has become standard practice not to interview an officer involved in a shooting for a day or two after the event. What is good for the officer should be good for the public.

Nonlethal weapons can provide life-conserving, environmentally friendly, and fiscally-responsible options between talking and shooting.

90% of U.S. mass shootings are committed by white people aged 14-56. For some reason I've never ONCE heard a white person called a terrorist.

The guy who shot him had quite a temper. Homicide had always made sense to him. He would say that there wasn't a problem in the world that couldn't be solved by shooting someone in the face. You just had to find the right person. Hell, you didn't even need to do that. Sometimes just shooting the person next to him was enough.

My uncle used to take me out at night shooting rabbits.

In film, I find it very useful always to do some preparation before you start rehearsals or start shooting, because there's so much that's against you on a film set.

I don't expect an overnight change of all desktops to what the US Military used to call B3 level security. And even that would not stop users from shooting themselves into the foot.

'The Watch' is first and foremost a comedy, but since I got to shoot the film using elements from the sci-fi genre, I wanted to make sure the alien didn't look goofy. I got to make a real alien that looks dangerous. That was a big plus for me because I got to do something really fun and cool.

I'm good at penalties, either using power or technique when I'm shooting.

There's still a lot of athletes in the NBA, but shooters are very valuable. I take a lot of pride shooting, so I feel like it's going to be big for me.

It is not as though the process of production holds any mystery for me, I know exactly what it involves and I know the predominant concern in shooting one of those things is production values - or as they would say, seeing it all up there on screen.

We're trying to work on Sami to get through that and shoot the puck. MacInnis shot the puck all the time. If there was a fool who wanted to stand in front and break an ankle, tough luck.

We don't work in the traditional TV format where we're like writing concurrently to shooting. Like, we really view it as a large feature film.

I always thought the objective of basketball was to get the maximum amount of movement to get the easiest shot, closest to the basket. With the three-point rule, the whole strategy changes, and you make a move and then throw it 30 feet out, where somebody takes a standing jump shot.

I love filming in London. In New York, every street is familiar because you have seen it in a movie. They mythologise their own city. You're forever trying to get down streets that have been blocked off because of shooting. In London, they don't put up with it; they're grumpy.

It's a fun thing to do: Go to a shooting range with a buddy, knock off a few rounds, release stress.

Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.

I like to stay home. I don't want to be away shooting in Europe for six or eight months at a stretch.

I think I can just bring shooting to stretch the floor.

If you can't stretch the floor in the NBA, it's hard for you to be competitive or even have a chance.

Footwork is the foundation to my offensive game. Being able to move, pivot around and dribble better were the big things I wanted to add to my game, as well as stretching out my game so I can shoot away from the basket better.

For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.

I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work.