Quotes About Shooting

Shooting of course has certain challenges, especially in terms of safety aspects to be sorted and venues are far away from the scene of action.

Shooting the 3. Maybe drive and kick. Drive and get to the cup. Just being versatile. Being able to guard multiple positions on defense. Basically, be a mismatch problem and have coach give the confidence and say 'Yo, whatever the lineup is, whatever the game plans is, we keep John in and involved in the game.' That's my goal.

My sister is an excellent shot with a pistol, and no doubt has many other sterling character traits, but putting her in front of a computer is like asking a donkey to do the polka, and she very wisely left all her Googling to me.

My sister is an excellent shot with a pistol, and no doubt has many other sterling character traits, but putting her in front of a computer is like asking a donkey to do the polka, and she very wisely left all her Googling to me. "All right," I said. "I can search for the name 'Vlad,' but—

Until he started watching The Walking Dead. Yeah, AMC. Thanks for that. He keeps telling me that I'd enjoy the show, but judging from all the screaming, shooting, and breaking glass I hear from my office every

Zack?" Anthony's voice was suddenly serious. "You know, it's not a great idea to seduce a woman you're protecting. All kidding aside, do you want me to send Matthews over?" "Who?" "Junior." "I will shoot him on sight," Zack said and hung up so he could follow Lucy into the kitchen.

Caroline was struck by just how close twenty-four feet really is, how little space really exists between us. Of course they were different, Lenny Ryan's shooting of the pawnbroker, her own shooting of the wife beater. But that meant there was a difference between what Lenny Ryan did and what Kevin Verloc did, that in the end we are separated not by distance, but degree. And in that truth was another; none of us knows, in the tumble of events, what she is capable of doing.

I'd like to have the script in a much better place from day one of shooting, rather than trying to continue to work on it while you shoot it. I think those are lessons you learn on any film.

Most of my work is done before we start shooting, preparation work, so my normal day begins when I start writing, it might even be the night before.

Noises and smells, those can bring back powerful memories. I remember when I was going to school one Fourth of July, and there were a lot of fireworks going off. I knew that I was in Richmond. I knew that I was a college student. But I thought people were shooting at me.

You have to edit the material. That assumes that some kind of a mind is operating in relation to the material. Not all minds are the same. Every aspect of filmmaking requires choice. The selection of the subject, the shooting, editing and length are all aspects of choice.

The submarine genre is a category with all its own rules. But shooting on water is famously tough.

Liberty medals...Are they trying to bribe me with coloured ribbons? I wouldn't kill a man for one of those things. Or go and be killed. Any shooting I do is to save my own life, and not for a ribbon and a hunk of bronze. [says Mäkelä]

But being on location and shooting, whether its in Puerto Rico or Atlanta, it always reminds me of how really cool my job can be. Interacting with the fans is one of the best parts of it.

Truth be told, people in federal agencies aren't running around shooting all over the place.

I've been shooting all my life.

Coming out of college that's all people kept saying was I couldn't shoot. I shot probably 30-something percent from 3 so they were pretty much on top of that.

Honestly, when I was back in school I would eat anything and everything but now when I'm shooting, I eat clean.

Defenses had to play us, obviously, out to the arc, but it was really, to me, my mid-range game that was probably more dangerous than my 3-point shot.

My arm is so long, I kind of shoot over my head sometimes.

Chris Rock often says I was an uncredited codirector on New Jack City. It wasn't really codirecting, but when we were shooting, I sometimes wore the hat of technical advisor for those little street details.

It's the beauty and curse of doing a daily show. Some days you've got nothing to talk about and other days Dick Cheney shoots his lawyer in the face and everyone is happy.

Motives are all fine and good, but if we could find out the how, we'd have a shooting's match chance of finding out the who.

Savage .22 automatic rifle