Quotes About Creativity

I look up to Martha Stewart, and I love that she has product lines that are true extensions of her brand.

Nobody cares for the product I, and a host of other horror directors, make.

I discovered I was passionate about the creative process, the product development, creating a concept around a fragrance or lipstick.

We've just always felt like we had a product onstage that represented us.

I tend not to like an awful lot of what is going out under my name now because it is just all product. Who needs it?

It can't be that difficult to build a great thermostat. So I decided to figure out: What would the thermostat for the iPhone generation look like? I got this bug. It really infected my brain. I kept thinking about it. This could be a cool product that matters and a cool product that has a great business.

Often in each collection, there are three or so seeds of things that come together accidentally to form what appears to everyone else as a final product, but for me, it is never ending.

There's something missing in the music industry today... and it's music. Songs you hear don't last, it's just product fed to you by the industry.

But it's often been the case, I've done so many countless small, independent films that really 3.2 people have seen, so you never know. You do it for the joy of the part and not necessarily expect anyone to see the final product.

I'm just a product of my environment, and it comes out in the music.

More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.

I love the way in which I make up dances. It's a complicated way and the product is usually clear. Clear and simple. I don't need everybody to know that there are all of these fabulous things going on. If you CAN see it, that's wonderful.

It's very much like filmmaking always is-you're always asked to do something that you're not sure you know how to do. So you make an educated guess as to what you think will work and you hope between that and plan B, that you can end up with a product that's really good.

We'd dub the one that came off best into the final transcription. It gave us a chance to ad lib as much as we wanted, knowing that excess ad libbing could be sliced from the final product.

I think Blank Generation holds up pretty well. You listen to that with headphones and there's a lot going on there with the guitars- it's the product of a lot of fighting.

What you do, you don't think of as a product.

When you are in control of what the final product is, there is kind of no limitation to what you feel like you can do because you know that if you don't like it, you can just cut it out.

When you do a voice in an animated film, you don't see the finished product at all. You're not animating. You're not doing the voice on the finished product. You're doing the voice long before.

So I think I'll say the obvious thing: theater is ephemeral. When a production is done, it's gone forever. You can take pictures of it. You can make a film of it. But it's not the production. It's not the same thing.

I have the conviction that excessive literary production is a social offence.

Good production is like a beautiful marriage. It makes a happy home.

Excessive literary production is a social offense.

The U.S., especially Hollywood, is so strong for film production.

There's a different energy with a female director, a female at the head of the production. I don't prefer one over the other, but they're definitely different experiences, and I would love to have more of them.